{"id":3432,"date":"2026-06-30T12:26:45","date_gmt":"2026-06-30T11:26:45","guid":{"rendered":"https:\/\/masters.filescat.uab.cat\/muet\/?p=3432"},"modified":"2026-06-30T12:27:52","modified_gmt":"2026-06-30T11:27:52","slug":"defensa-publica-dels-treballs-de-fi-de-master-curs-2025-2026","status":"publish","type":"post","link":"https:\/\/masters.filescat.uab.cat\/muet\/defensa-publica-dels-treballs-de-fi-de-master-curs-2025-2026\/","title":{"rendered":"Defensa p\u00fablica dels treballs de Fi de M\u00e0ster (curs 2025-2026)"},"content":{"rendered":"<h3>Les lectures dels TFM del MUET tindran lloc el <strong>dilluns 13 de juliol de 2026<\/strong> a les aules 206, 207 i 208 de la Facultat de Filosofia i Lletres de la UAB.<\/h3>\n<h4>AULA 206<\/h4>\n<table style=\"width: 100%; height: 126px;\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr style=\"height: 24px;\">\n<td style=\"width: 12.5343%; height: 24px;\"><strong>Hores <\/strong><\/td>\n<td style=\"width: 14.6386%; height: 24px;\"><strong>Noms <\/strong><\/td>\n<td style=\"width: 48.4904%; height: 24px;\"><strong>TFM <\/strong><\/td>\n<td style=\"width: 24.1537%; height: 24px;\"><strong>Tribunals <\/strong><\/td>\n<\/tr>\n<tr style=\"height: 10px;\">\n<td style=\"width: 12.5343%; height: 10px; text-align: left; vertical-align: middle;\">9.00 \u2013 10.00<\/td>\n<td style=\"width: 14.6386%; height: 10px; text-align: left; vertical-align: middle;\">Aravena, Mario<\/td>\n<td style=\"width: 48.4904%; height: 10px; text-align: left; vertical-align: middle;\"><em>Rodrigo P\u00e9rez y la dramaturgia de la direcci\u00f3n en relecturas chilenas contempor\u00e1neas del teatro cl\u00e1sico<\/em><\/td>\n<td style=\"width: 24.1537%; height: 10px; text-align: left; vertical-align: middle;\">Foguet, Francesc (p.)<br \/>\nG\u00e0zquez, Ricard (v.)<br \/>\nSaura Alba (s.)<\/td>\n<\/tr>\n<tr style=\"height: 20px;\">\n<td style=\"width: 12.5343%; height: 20px; text-align: left; vertical-align: middle;\">10.00 \u2013 11.00<\/td>\n<td style=\"width: 14.6386%; height: 20px; text-align: left; vertical-align: middle;\">Dalgalarrando, Gonzague<\/td>\n<td style=\"width: 48.4904%; height: 20px; text-align: left; vertical-align: middle;\" valign=\"top\"><em>Dispositivos esc\u00e9nicos democr\u00e1ticos: participaci\u00f3n agencia y toma de decisiones en la escena contempor\u00e1nea<\/em><\/td>\n<td style=\"width: 24.1537%; height: 20px; text-align: left; vertical-align: middle;\">Fratini, Roberto (p.)<br \/>\nFoguet, Francesc (v.)<br \/>\nPalmeri, Daniela (s.)<\/td>\n<\/tr>\n<tr style=\"height: 24px;\">\n<td style=\"width: 12.5343%; height: 24px; text-align: left; vertical-align: middle;\">11.00 \u2013 12.00<\/td>\n<td style=\"width: 14.6386%; height: 24px; text-align: left; vertical-align: middle;\">Ja\u00f1a, Cheril Linett<\/td>\n<td style=\"width: 48.4904%; height: 24px; text-align: left; vertical-align: middle;\"><em>Escena del crimen: escenificaci\u00f3n de la violencia y sus paradojas \u00e9ticas, pol\u00edticas y est\u00e9ticas<\/em><\/td>\n<td style=\"width: 24.1537%; height: 24px; text-align: left; vertical-align: middle;\">Jan\u00e9, Jordi (p.)<br \/>\nSaura, Alba (v.)<br \/>\nFoguet, Francesc (s.)<\/td>\n<\/tr>\n<tr style=\"height: 24px;\">\n<td style=\"width: 12.5343%; height: 24px; text-align: left; vertical-align: middle;\">12.00 \u2013 13.00<\/td>\n<td style=\"width: 14.6386%; height: 24px; text-align: left; vertical-align: middle;\">Tinoco, Amada<\/td>\n<td style=\"width: 48.4904%; height: 24px; text-align: left; vertical-align: middle;\"><em>Cielos etnosf\u00e9ricos. El desplazamiento de rasgos rituales desde lo \u00edntimo\/comunitario hacia lo esc\u00e9nico\/p\u00fablico <\/em><\/td>\n<td style=\"width: 24.1537%; height: 24px; text-align: left; vertical-align: middle;\">Virgina Fons (p.)<br \/>\nSchmutz, Christine (v.)<br \/>\nVendrell, Ester (s.)<\/td>\n<\/tr>\n<tr style=\"height: 24px;\">\n<td style=\"width: 12.5343%; height: 24px; text-align: left; vertical-align: middle;\">13.00 \u2013 14.00<\/td>\n<td style=\"width: 14.6386%; height: 24px; text-align: left; vertical-align: middle;\">Vilaronga, Nelson<\/td>\n<td style=\"width: 48.4904%; height: 24px; text-align: left; vertical-align: middle;\"><em>El espect\u00e1culo \u201cBrasilerinho\u201d como referencia ic\u00f3nica de la dramaturgia performativa de Maria Beth\u00e2nia <\/em><\/td>\n<td style=\"width: 24.1537%; height: 24px; text-align: left; vertical-align: middle;\">Cort\u00e8s, Francesc (p.)<br \/>\nPessarrodona, Aur\u00e8lia (v.)<br \/>\nCorral, Anna (s.)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<h4>AULA 207<\/h4>\n<table style=\"width: 100%; height: 336px;\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr style=\"height: 24px;\">\n<td style=\"width: 12.5343%; text-align: left; vertical-align: middle; height: 24px;\"><strong>Hores <\/strong><\/td>\n<td style=\"width: 14.6386%; text-align: left; vertical-align: middle; height: 24px;\"><strong>Noms <\/strong><\/td>\n<td style=\"width: 48.4904%; text-align: left; vertical-align: middle; height: 24px;\"><strong>TFM <\/strong><\/td>\n<td style=\"width: 24.1537%; text-align: left; vertical-align: middle; height: 24px;\"><strong>Tribunals <\/strong><\/td>\n<\/tr>\n<tr style=\"height: 48px;\">\n<td style=\"width: 12.6258%; text-align: left; vertical-align: middle; height: 48px;\">9.00 \u2013 10.00<\/td>\n<td style=\"width: 14.5471%; text-align: left; vertical-align: middle; height: 48px;\">Salas, Valentina<\/td>\n<td style=\"width: 48.6734%; text-align: left; vertical-align: middle; height: 48px;\"><em>Una propuesta de teatro aplicado para la Asociaci\u00f3n de Mujeres Wuilliche Rayen K\u00fcyen de Chilo\u00e9<\/em><\/td>\n<td style=\"width: 23.9707%; text-align: left; vertical-align: middle; height: 48px;\">Batlle, Carles (p.)<br \/>\nSaumell, Merc\u00e8 (v.)<br \/>\nSchmutz, Christine (s.)<\/td>\n<\/tr>\n<tr style=\"height: 48px;\">\n<td style=\"width: 12.6258%; text-align: left; vertical-align: middle; height: 48px;\">10.00 \u2013 11.00<\/td>\n<td style=\"width: 14.5471%; text-align: left; vertical-align: middle; height: 48px;\">Lacasta, Daniel<\/td>\n<td style=\"width: 48.6734%; text-align: left; vertical-align: middle; height: 48px;\"><em>L\u2019\u00e8cfrasi performativa o l\u2019emin\u00e8ncia del receptor<\/em><\/td>\n<td style=\"width: 23.9707%; text-align: left; vertical-align: middle; height: 48px;\">Torras, Meri (p.)<br \/>\nJan\u00e9, Jordi (v.)<br \/>\nBatlle, Carles (s.)<\/td>\n<\/tr>\n<tr style=\"height: 72px;\">\n<td style=\"width: 12.6258%; text-align: left; vertical-align: middle; height: 72px;\">11-00 \u2013 12.00<\/td>\n<td style=\"width: 14.5471%; text-align: left; vertical-align: middle; height: 72px;\">Carretero, Ainhoa<\/td>\n<td style=\"width: 48.6734%; text-align: left; vertical-align: middle; height: 72px;\"><em>Dramaturgia del poema castellano medieval La Dan\u00e7a General de la Muerte<\/em><\/td>\n<td style=\"width: 23.9707%; text-align: left; vertical-align: middle; height: 72px;\">Fern\u00e0ndez, Laura (p.)<br \/>\nG\u00e0zquez, Ricard (s.)<br \/>\nMasgrau, Llu\u00eds (s.)<\/td>\n<\/tr>\n<tr style=\"height: 72px;\">\n<td style=\"width: 12.6258%; text-align: left; vertical-align: middle; height: 72px;\">12.00 \u2013 13.00<\/td>\n<td style=\"width: 14.5471%; text-align: left; vertical-align: middle; height: 72px;\">Garcia, Astrid<\/td>\n<td style=\"width: 48.6734%; text-align: left; vertical-align: middle; height: 72px;\"><em>\u201c\u00bfY no ser\u00e1 que le hago sentir a usted superior, moderno y liberado?\u201d. La canonitzaci\u00f3 d\u2019Ang\u00e9lica Liddell en el teatre espanyol contemporani<\/em><\/td>\n<td style=\"width: 23.9707%; text-align: left; vertical-align: middle; height: 72px;\">Jan\u00e9, Jordi (p.)<br \/>\nCorral, Anna (v.)<br \/>\nPalmeri, Daniela (s.)<\/td>\n<\/tr>\n<tr style=\"height: 72px;\">\n<td style=\"width: 12.6258%; text-align: left; vertical-align: middle; height: 72px;\">13.00 \u2013 14.00<\/td>\n<td style=\"width: 14.5471%; text-align: left; vertical-align: middle; height: 72px;\">Talavero, Mario<\/td>\n<td style=\"width: 48.6734%; text-align: left; vertical-align: middle; height: 72px;\"><em>La Passi\u00f3 del Llibre de Jaume Galobardes<\/em><\/td>\n<td style=\"width: 23.9707%; text-align: left; vertical-align: middle; height: 72px;\">\u00c0lex Coroleu<br \/>\nV\u00edctor Martinez<br \/>\nSantamaria, N\u00faria<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<h4>AULA 208<\/h4>\n<table style=\"width: 100%; height: 164px;\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr style=\"height: 24px;\">\n<td style=\"width: 12.5343%; height: 24px;\"><strong>Hores <\/strong><\/td>\n<td style=\"width: 14.6386%; height: 24px;\"><strong>Noms <\/strong><\/td>\n<td style=\"width: 48.4904%; height: 24px;\"><strong>TFM <\/strong><\/td>\n<td style=\"width: 24.1537%; height: 24px;\"><strong>Tribunals <\/strong><\/td>\n<\/tr>\n<tr style=\"height: 72px;\">\n<td style=\"width: 12.5343%; height: 72px; text-align: left; vertical-align: middle;\">9.00 \u2013 10.00<\/td>\n<td style=\"width: 14.6386%; height: 72px; text-align: left; vertical-align: middle;\">Colorado, Laura<\/td>\n<td style=\"width: 48.4904%; height: 72px; vertical-align: middle; text-align: left;\"><em>Performar la empat\u00eda: un estudio de caso sobre la aplicaci\u00f3n de herramientas del entrenamiento actoral en el \u00e1mbito profesional del Customer Sucess<\/em><\/td>\n<td style=\"width: 24.1537%; height: 72px; text-align: left; vertical-align: middle;\">Escud\u00e9, Beth (v.)<br \/>\nSantamaria, N\u00faria (v.)<br \/>\nSolanilla, Anna (s.)<\/td>\n<\/tr>\n<tr style=\"height: 20px;\">\n<td style=\"width: 12.5343%; height: 20px; text-align: left; vertical-align: middle;\">10.00 \u2013 11.00<\/td>\n<td style=\"width: 14.6386%; height: 20px; text-align: left; vertical-align: middle;\">G\u00f3mez, Gabriel Felipe<\/td>\n<td style=\"width: 48.4904%; height: 20px; vertical-align: middle; text-align: left;\" valign=\"top\"><em>\u201cEs con la crueldad que me descaro\u201d. Aproximaci\u00f3n a un estudio de caso de la relaci\u00f3n del int\u00e9rprete consigo mismo y el riesgo como lenguaje en la pr\u00e1ctica interpretativa <\/em><\/td>\n<td style=\"width: 24.1537%; height: 20px; text-align: left; vertical-align: middle;\">Fern\u00e1ndez Llano, C\u00e9sar Luis (p.)<br \/>\nMasgrau, Llu\u00eds (v.)<br \/>\nSchmutz, Christine (s.)<\/td>\n<\/tr>\n<tr style=\"height: 24px;\">\n<td style=\"width: 12.5343%; height: 24px; text-align: left; vertical-align: middle;\">11.00 \u2013 12.00<\/td>\n<td style=\"width: 14.6386%; height: 24px; text-align: left; vertical-align: middle;\">Montoro, Carme<\/td>\n<td style=\"width: 48.4904%; height: 24px; vertical-align: middle; text-align: left;\"><em>La po\u00e9tica de Bar\u00f3 d\u2019Evel com a instrument de connexi\u00f3 amb el p\u00fablic<\/em><\/td>\n<td style=\"width: 24.1537%; height: 24px; text-align: left; vertical-align: middle;\">Saumell, Merc\u00e8 (p.)<br \/>\nPalmeri, Daniela (v.)<br \/>\nFratini, Roberto (s.)<\/td>\n<\/tr>\n<tr style=\"height: 24px;\">\n<td style=\"width: 12.5343%; height: 24px; text-align: left; vertical-align: middle;\">13.00 \u2013 14.00<\/td>\n<td style=\"width: 14.6386%; height: 24px; text-align: left; vertical-align: middle;\">Mar\u00edn, Manuel<\/td>\n<td style=\"width: 48.4904%; height: 24px; vertical-align: middle; text-align: left;\"><em>Artificio expl\u00edcito. Performance drag, lip sync y presencia esc\u00e9nica de \u201cLa Sastrer\u00eda\u201d<\/em><\/td>\n<td style=\"width: 24.1537%; height: 24px; text-align: left; vertical-align: middle;\">Escud\u00e9, Beth (p.)<br \/>\nG\u00e0zquez, Ricard (v.)<br \/>\nSaumell, Merc\u00e8 (s.)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h4><\/h4>\n","protected":false},"excerpt":{"rendered":"<p>Les lectures dels TFM del MUET tindran lloc el dilluns 13 de juliol de 2026 a les aules 206, 207 i 208 de la Facultat de Filosofia i Lletres de la UAB. AULA 206 Hores Noms TFM Tribunals 9.00 \u2013 10.00 Aravena, Mario Rodrigo P\u00e9rez y la dramaturgia de la direcci\u00f3n en relecturas chilenas contempor\u00e1neas [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3439,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[6,7],"tags":[],"class_list":["post-3432","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-informacio-academica","category-noticies","et-has-post-format-content","et_post_format-et-post-format-standard"],"_links":{"self":[{"href":"https:\/\/masters.filescat.uab.cat\/muet\/wp-json\/wp\/v2\/posts\/3432","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/masters.filescat.uab.cat\/muet\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/masters.filescat.uab.cat\/muet\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/masters.filescat.uab.cat\/muet\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/masters.filescat.uab.cat\/muet\/wp-json\/wp\/v2\/comments?post=3432"}],"version-history":[{"count":6,"href":"https:\/\/masters.filescat.uab.cat\/muet\/wp-json\/wp\/v2\/posts\/3432\/revisions"}],"predecessor-version":[{"id":3438,"href":"https:\/\/masters.filescat.uab.cat\/muet\/wp-json\/wp\/v2\/posts\/3432\/revisions\/3438"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/masters.filescat.uab.cat\/muet\/wp-json\/wp\/v2\/media\/3439"}],"wp:attachment":[{"href":"https:\/\/masters.filescat.uab.cat\/muet\/wp-json\/wp\/v2\/media?parent=3432"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/masters.filescat.uab.cat\/muet\/wp-json\/wp\/v2\/categories?post=3432"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/masters.filescat.uab.cat\/muet\/wp-json\/wp\/v2\/tags?post=3432"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}