{"id":3252,"date":"2025-07-01T09:04:43","date_gmt":"2025-07-01T08:04:43","guid":{"rendered":"https:\/\/masters.filescat.uab.cat\/muet\/?p=3252"},"modified":"2025-07-03T07:18:31","modified_gmt":"2025-07-03T06:18:31","slug":"defensa-publica-dels-treballs-de-fi-de-master-curs-2024-2025","status":"publish","type":"post","link":"https:\/\/masters.filescat.uab.cat\/muet\/defensa-publica-dels-treballs-de-fi-de-master-curs-2024-2025\/","title":{"rendered":"Defensa p\u00fablica dels treballs de Fi de M\u00e0ster (curs 2024-2025)"},"content":{"rendered":"<h3>Les lectures dels TFM del MUET tindran lloc el <strong>dilluns, 14 de juliol de 2025<\/strong> a les aules 201, 202 i 206 de la Facultat de Filosofia i Lletres de la UAB.<\/h3>\n<h4>AULA 201<\/h4>\n<table style=\"width: 100%;\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td style=\"width: 12.534309%;\"><strong>Hores <\/strong><\/td>\n<td style=\"width: 14.63861%;\"><strong>Noms <\/strong><\/td>\n<td style=\"width: 48.490393%;\"><strong>TFM <\/strong><\/td>\n<td style=\"width: 24.153706%;\"><strong>Tribunals <\/strong><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 12.534309%;\">9.00 \u2013 10.00<\/td>\n<td style=\"width: 14.63861%;\">Castro, \u00c0lex<\/td>\n<td style=\"width: 48.490393%;\">\u00a0<em>Dramat\u00fargies de novel\u00b7la: adaptacions tematitzades, patrimonials i personalistes<\/em><\/td>\n<td style=\"width: 24.153706%;\">Batlle, Carles (p.)<br \/>\nFoguet, Francesc (v.)<br \/>\nSantamaria, N\u00faria (s.)<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 12.534309%;\">10.00 \u2013 11.00<\/td>\n<td style=\"width: 14.63861%;\">Borr\u00e0s, Cl\u00e0udia<\/td>\n<td style=\"width: 48.490393%;\" valign=\"top\">\n<p align=\"justify\"><em>Fleabag\u201d de Phoebe Walter-Bridge. An\u00e0lisi i comparaci\u00f3 entre el format teatral i el televisiu.<\/em><\/p>\n<\/td>\n<td style=\"width: 24.153706%;\">Batlle, C. (p.)<br \/>\nSantamaria, N. (v.)<br \/>\nJan\u00e9, J. (s.)<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 12.534309%;\">11.00 \u2013 12.00<\/td>\n<td style=\"width: 14.63861%;\">Cullell Juste, Elisabet<\/td>\n<td style=\"width: 48.490393%;\"><em>L\u2019ambival\u00e8ncia de la m\u00e0gia com a recurs teatral. Una an\u00e0lisi comparativa entre <\/em>Somni d\u2019una nit d\u2019estiu <em>i les com\u00e8dies de sants<\/em><\/td>\n<td style=\"width: 24.153706%;\">Foguet , F. (p.)<br \/>\nSchmutz, C. (v.)<br \/>\nSantamaria, N. (s.)<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 12.534309%;\">12.00 \u2013 13.00<\/td>\n<td style=\"width: 14.63861%;\">Rico Soler, Bert<\/td>\n<td style=\"width: 48.490393%;\"><em>Una reina dels baixos fons al cor del mercat: Samantha Hudson i el capitalisme rosa<\/em><\/td>\n<td style=\"width: 24.153706%;\">Escud\u00e9, Beth (p.)<br \/>\nSantamaria, N\u00faria (v.)<br \/>\nJan\u00e9, Jordi (s.)<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 12.534309%;\">13.00 \u2013 14.00<\/td>\n<td style=\"width: 14.63861%;\">Arriagada Reyes, Galia<\/td>\n<td style=\"width: 48.490393%;\"><em>Afanador\u201d. La deconstrucci\u00f3n del flamenco, discurso queer y danza contempor\u00e1nea por el Ballet Nacional de Espa\u00f1a &amp; La Veronal<\/em><\/td>\n<td style=\"width: 24.153706%;\">Llorens, N\u00faria (p.)<br \/>\nVendrell, Ester (v.)<br \/>\nLaakso, Riikaa (s.)<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 12.534309%;\">14.00 \u2013 15.00<\/td>\n<td style=\"width: 14.63861%;\">Pieri, Paloma<\/td>\n<td style=\"width: 48.490393%;\"><em>Teatro cinematogr\u00e1fico y cine teatral. La obra de Martin McDonagh<\/em><\/td>\n<td style=\"width: 24.153706%;\">Longhi, Ludovico (p.)<br \/>\nJan\u00e9, Jordi (v.)<br \/>\nLlorens, N. (s.)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h4>AULA 202<\/h4>\n<table style=\"width: 100%;\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td style=\"width: 12.534309%;\"><strong>Hores <\/strong><\/td>\n<td style=\"width: 14.63861%;\"><strong>Noms <\/strong><\/td>\n<td style=\"width: 48.490393%;\"><strong>TFM <\/strong><\/td>\n<td style=\"width: 24.153706%;\"><strong>Tribunals <\/strong><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 12.625801%;\">9.00 -10.00<\/td>\n<td style=\"width: 14.547118%;\">Raich Roca, Andreu<\/td>\n<td style=\"width: 48.673376%;\"><em>Conceptualitzaci\u00f3 d\u2019exercicis a partir del candombl\u00e9 per a regular la qualitat energ\u00e8tica de l\u2019int\u00e8rpret.<\/em><\/td>\n<td style=\"width: 23.970722%;\">Andreu Ball\u00fas (p.)<br \/>\nMasgrau, Llu\u00eds\u00a0 (v.)<br \/>\nLaakso, Rikkaa (s.)<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 12.625801%;\">10.00 \u2013 11.00<\/td>\n<td style=\"width: 14.547118%;\">Condeza Dall&#8217;orso, Luz<\/td>\n<td style=\"width: 48.673376%;\"><em>El objeto material y el cuerpo en la danza: orientaciones epist\u00e9micas y procedimentales en la creaci\u00f3n de un lenguaje coreogr\u00e1fico arte-factual.<\/em><\/td>\n<td style=\"width: 23.970722%;\">Fratini. R. (p.)<br \/>\nSolanilla (v.)<br \/>\nMasgrau, Llu\u00eds. (s.)<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 12.625801%;\">11-00 \u2013 12.00<\/td>\n<td style=\"width: 14.547118%;\">Ram\u00edrez Pascuas, Deinar Marcelo<\/td>\n<td style=\"width: 48.673376%;\"><em>Movimiento\/cuerpo travesti. Una mirada danzada desde la literatura travesti de Claudia Rodr\u00edguez<\/em><\/td>\n<td style=\"width: 23.970722%;\">Vendrell, Ester (p.)<br \/>\nEscud\u00e9, Beth (v.)<br \/>\nCorral, A. (s.)<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 12.625801%;\">12.00 \u2013 13.00<\/td>\n<td style=\"width: 14.547118%;\">Bautista Jugovic, Gaia<\/td>\n<td style=\"width: 48.673376%;\"><em>Para una pol\u00edtica del cuerpo femenino en escena: La dimensi\u00f3n del colapso en la obra de Marina Otero.<\/em><\/td>\n<td style=\"width: 23.970722%;\">Corral, Anna (p.)<br \/>\nPalmeri, Daniela (v.)<br \/>\nSaura, Alba (s.)<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 12.625801%;\">13.00 \u2013 14.00<\/td>\n<td style=\"width: 14.547118%;\">Basora , Jordi<\/td>\n<td style=\"width: 48.673376%;\"><em>El \u201csistema\u201d de Vakht\u00e0ngov: entre el m\u00e8tode de la viv\u00e8ncia i convenci\u00f3 consciente, entre el fons i la forma (1909-1922)<\/em><\/td>\n<td style=\"width: 23.970722%;\">Saumell, M. (p.)<br \/>\nMasgrau, L. (v.)<br \/>\nSolanilla, A. (s.)<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 12.625801%;\">14.00 \u2013 15.00<\/td>\n<td style=\"width: 14.547118%;\">Fuentes, Nicol\u00e1s<\/td>\n<td style=\"width: 48.673376%;\"><em>Extra\u00f1amiento y catarsis: la paradoja del efecto esc\u00e9nico<\/em><\/td>\n<td style=\"width: 23.970722%;\">Fratini, Roberto (p.)<br \/>\nFoguet, Francesc (v.)<br \/>\nLaakso, R. (s.)<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 12.625801%;\">15.00 \u2013 16.00<\/td>\n<td style=\"width: 14.547118%;\">Muntane Raich, Antoni<\/td>\n<td style=\"width: 48.673376%;\" valign=\"bottom\"><em>Porositat i fronteres entre la dansa i el circ. A partir de l\u2019espectacle <\/em>Ful, <em>de Nats Nus. <\/em><\/td>\n<td style=\"width: 23.970722%;\">Masgrau, Llu\u00eds (p.)<br \/>\nSantamaria, N\u00faria (v.)<br \/>\nMateu, Merc\u00e8\u00a0 (s.)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h4>Aula 206<\/h4>\n<table style=\"width: 100%;\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td style=\"width: 12.534309%;\"><strong>Hores <\/strong><\/td>\n<td style=\"width: 14.63861%;\"><strong>Noms <\/strong><\/td>\n<td style=\"width: 48.490393%;\"><strong>TFM <\/strong><\/td>\n<td style=\"width: 24.153706%;\"><strong>Tribunals <\/strong><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 12.717292%;\">9.00 -10.00<\/td>\n<td style=\"width: 14.7301%;\">Bravo Luengo, Benjam\u00edn<\/td>\n<td style=\"width: 48.398903%;\">\u00a0<em>Reposici\u00f3n esc\u00e9nica: el concepto de <\/em>teatralidad <em>en el proceso creativo del montaje <\/em>Refugi<em>, de Jessica Goldberg.<\/em><\/td>\n<td style=\"width: 23.970722%;\">Escud\u00e9, Beth (p.)<br \/>\nSchmutz, C. (v.)<br \/>\nFratini, Roberto (s.)<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 12.717292%;\">10.00 &#8211; 11.00<\/td>\n<td style=\"width: 14.7301%;\">Casas Ballesta, Meritxell<\/td>\n<td style=\"width: 48.398903%;\" valign=\"top\">\n<p align=\"justify\"><em>Aproximaci\u00f3 a un cos esc\u00e8nic en el marc del posthumanisme plantejat per Rosi Braidotti <\/em><\/p>\n<\/td>\n<td style=\"width: 23.970722%;\">Schmutz, Christine (p.)<br \/>\nSaumell, M. (v.)<br \/>\nPalmeri, D. (s.)<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 12.717292%;\">11-00 \u2013 12.00<\/td>\n<td style=\"width: 14.7301%;\">Cavalcante Da Silva, Claudionor<\/td>\n<td style=\"width: 48.398903%;\"><em>El lugar del cuerpo y el cuerpo del lugar. Una dimensi\u00f3n esc\u00e9nica compartida entre artista y p\u00fablico<\/em><\/td>\n<td style=\"width: 23.970722%;\">Solanilla, A. (p.)<br \/>\nFratini, R. (v.)<br \/>\nSaumell, M. (s.)<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 12.717292%;\">13.00 \u2013 14.00<\/td>\n<td style=\"width: 14.7301%;\">Toledo Orellana, Joaqu\u00edn<\/td>\n<td style=\"width: 48.398903%;\"><em>Teatro del Oprimido. Una herramienta para la dramaturgia testimonial colectiva.<\/em><\/td>\n<td style=\"width: 23.970722%;\">Saura, Alba (p.)<br \/>\nBatlle, Carles (v.)<br \/>\nJan\u00e9, Jordi (s.)<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 12.717292%;\">14.00 \u2013 15.00<\/td>\n<td style=\"width: 14.7301%;\" valign=\"top\"><\/td>\n<td style=\"width: 48.398903%;\" valign=\"top\"><\/td>\n<td style=\"width: 23.970722%;\" valign=\"top\"><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 12.717292%;\">16.00 \u2013 17.00<\/td>\n<td style=\"width: 14.7301%;\">Clos Soler, Jordi-Gustau<\/td>\n<td style=\"width: 48.398903%;\"><em>Francesc Vi\u00f1as i Dordal, el tenor que cantava Wagner en catal\u00e0<\/em><\/td>\n<td style=\"width: 23.970722%;\">Dauf\u00ed, Xavier (p.)<br \/>\nSantamaria, N. (v.)<br \/>\nFoguet, F. (s.)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Les lectures dels TFM del MUET tindran lloc el dilluns, 14 de juliol de 2025 a les aules 201, 202 i 206 de la Facultat de Filosofia i Lletres de la UAB. AULA 201 Hores Noms TFM Tribunals 9.00 \u2013 10.00 Castro, \u00c0lex \u00a0Dramat\u00fargies de novel\u00b7la: adaptacions tematitzades, patrimonials i personalistes Batlle, Carles (p.) Foguet, [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":3259,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[6,7],"tags":[],"class_list":["post-3252","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-informacio-academica","category-noticies","et-has-post-format-content","et_post_format-et-post-format-standard"],"_links":{"self":[{"href":"https:\/\/masters.filescat.uab.cat\/muet\/wp-json\/wp\/v2\/posts\/3252","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/masters.filescat.uab.cat\/muet\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/masters.filescat.uab.cat\/muet\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/masters.filescat.uab.cat\/muet\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/masters.filescat.uab.cat\/muet\/wp-json\/wp\/v2\/comments?post=3252"}],"version-history":[{"count":11,"href":"https:\/\/masters.filescat.uab.cat\/muet\/wp-json\/wp\/v2\/posts\/3252\/revisions"}],"predecessor-version":[{"id":3286,"href":"https:\/\/masters.filescat.uab.cat\/muet\/wp-json\/wp\/v2\/posts\/3252\/revisions\/3286"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/masters.filescat.uab.cat\/muet\/wp-json\/wp\/v2\/media\/3259"}],"wp:attachment":[{"href":"https:\/\/masters.filescat.uab.cat\/muet\/wp-json\/wp\/v2\/media?parent=3252"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/masters.filescat.uab.cat\/muet\/wp-json\/wp\/v2\/categories?post=3252"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/masters.filescat.uab.cat\/muet\/wp-json\/wp\/v2\/tags?post=3252"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}