{"id":2428,"date":"2022-07-13T11:16:49","date_gmt":"2022-07-13T10:16:49","guid":{"rendered":"https:\/\/masters.filescat.uab.cat\/muet\/?p=2428"},"modified":"2022-07-20T08:17:40","modified_gmt":"2022-07-20T07:17:40","slug":"lectures-dels-treballs-de-fi-de-master-curs-2021-2022","status":"publish","type":"post","link":"https:\/\/masters.filescat.uab.cat\/muet\/lectures-dels-treballs-de-fi-de-master-curs-2021-2022\/","title":{"rendered":"Lectures dels Treballs de Fi de M\u00e0ster (curs 2021-2022)"},"content":{"rendered":"<h3>Les lectures dels TFM del MUET tindran lloc el dia 2 de setembre de 2022 en format presencial i, en algun cas excepcional, virtual.<\/h3>\n<h4>Divendres, <strong>2 de setembre de 2022<\/strong>, Aules 208 i 209 de la Facultat de Filosofia i Lletres de la UAB<\/h4>\n<table style=\"width: 100%; height: 807px;\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr style=\"height: 24px;\">\n<td style=\"width: 15.453639082751744%; height: 24px;\" valign=\"top\"><em><strong>Horari i \u00a0aula<\/strong><\/em><\/td>\n<td style=\"width: 60.31904287138587%; height: 24px;\" valign=\"top\"><em><strong>Autor\/a i t\u00edtol<\/strong><\/em><\/td>\n<td style=\"width: 24.02791625124625%; height: 24px;\" valign=\"top\"><em><strong>tribunal<\/strong><\/em><\/td>\n<\/tr>\n<tr style=\"height: 72px;\">\n<td style=\"width: 15.453639082751744%; height: 72px;\" valign=\"top\">10.00<br \/>\naula 208<\/td>\n<td style=\"width: 60.31904287138587%; height: 72px;\" valign=\"middle\">Balart Rovira, Georgina, <em>Impacte de la t\u00e8cnica del wiewpoints en l\u2019etapa d\u2019investigaci\u00f3 experimental dins dels processos de creaci\u00f3 col\u00b7lectiva, aproximaci\u00f3 pr\u00e0ctica<\/em><\/td>\n<td style=\"width: 24.02791625124625%; height: 72px;\" valign=\"top\">P: Beth Escud\u00e9<br \/>\nS: Roberto Fratini<br \/>\nV: Christine W. Schmutz<\/td>\n<\/tr>\n<tr style=\"height: 72px;\">\n<td style=\"width: 15.453639082751744%; height: 72px;\" valign=\"top\">10.00 h.<br \/>\naula 209<\/td>\n<td style=\"width: 60.31904287138587%; height: 72px;\" valign=\"top\">Bov\u00e9 Argelich, Esther, <em>La confrontaci\u00f3 metodol\u00f2gica del treball de la veu en el context del teatre postdram\u00e0tic. Primera aproximaci\u00f3 a unes noves eines per a la veu emancipada<\/em><\/td>\n<td style=\"width: 24.02791625124625%; height: 72px;\" valign=\"top\">P: Merc\u00e8 Saumell<br \/>\nS: Llu\u00eds Masgrau<br \/>\nV: Ester Vendrell<\/td>\n<\/tr>\n<tr style=\"height: 72px;\">\n<td style=\"width: 15.453639082751744%; height: 72px;\" valign=\"top\">11.00 h<br \/>\naula 208<\/td>\n<td style=\"width: 60.31904287138587%; height: 72px;\" valign=\"top\">Mosquera, Eddy Janeth, <em>Mina-Woyzeck y Boror\u00f3: rasgos del teatro popular identificador en la escena afrocolombiana<\/em><\/td>\n<td style=\"width: 24.02791625124625%; height: 72px;\" valign=\"top\">P: Jordi Jan\u00e9<br \/>\nS: Daniela Palmeri<br \/>\nV: N\u00faria Santamaria<\/td>\n<\/tr>\n<tr style=\"height: 54px;\">\n<td style=\"width: 15.453639082751744%; height: 54px;\" valign=\"top\">11.00 h<br \/>\naula 209<\/td>\n<td style=\"width: 60.31904287138587%; height: 54px;\" valign=\"top\">Font Mir, Antoni, <em>\u2019Pel teu amor\u2019: l\u2019empremta del teatre l\u00edric catal\u00e0<\/em><\/td>\n<td style=\"width: 24.02791625124625%; height: 54px;\" valign=\"top\">P: Carles Batlle<br \/>\nS: Antoni Ramon<br \/>\nV: Francesc Cort\u00e8s<\/td>\n<\/tr>\n<tr style=\"height: 49px;\">\n<td style=\"width: 15.453639082751744%; height: 49px;\" valign=\"top\">12.00 h<br \/>\naula 208<\/td>\n<td style=\"width: 60.31904287138587%; height: 49px;\" valign=\"top\">Candia Flores, Lorena, <em>La v\u00eda del canto en el arte como representaci\u00f3n y el arte como veh\u00edculo: estudio evolutivo del enfoque y la t\u00e9cnica<\/em><\/td>\n<td style=\"width: 24.02791625124625%; height: 49px;\" valign=\"top\">P: Ester Vendrell<br \/>\nS: Merc\u00e8 Saumell<br \/>\nV: Llu\u00eds Masgrau<\/td>\n<\/tr>\n<tr style=\"height: 72px;\">\n<td style=\"width: 15.453639082751744%; height: 72px;\" valign=\"top\">12.00 h<br \/>\naula 209<\/td>\n<td style=\"width: 60.31904287138587%; height: 72px;\" valign=\"top\">Castillejo Cabeza, Marcel, <em>Com el teatre juga amb la idea de pand\u00e8mia. El cas de les obres d\u2019Eug\u00e8ne Ionesco<\/em><\/td>\n<td style=\"width: 24.02791625124625%; height: 72px;\" valign=\"top\">P: Rossend Arqu\u00e9s<br \/>\nS: N\u00faria Santamaria<br \/>\nV: Anna Solanilla<\/td>\n<\/tr>\n<tr style=\"height: 96px;\">\n<td style=\"width: 15.453639082751744%; height: 96px;\" valign=\"top\">13.00 h<br \/>\naula 208<\/td>\n<td style=\"width: 60.31904287138587%; height: 96px;\" valign=\"top\">L\u00f6ffler, P\u00e9ter, <em>Conflictos internos, traumas y aislamientos en las monodrama \u00f3peras, \u2018Andr\u00f3meda encadenada\u2019, de Agust\u00ed Charles<\/em><\/td>\n<td style=\"width: 24.02791625124625%; height: 96px;\" valign=\"top\">P: Christine W. Schmutz<br \/>\nS: Roberto Fratini<br \/>\nV: Francesc Cort\u00e8s<\/td>\n<\/tr>\n<tr style=\"height: 80px;\">\n<td style=\"width: 15.453639082751744%; height: 80px;\" valign=\"top\">13.00 h<br \/>\naula 209<\/td>\n<td style=\"width: 60.31904287138587%; height: 80px;\" valign=\"top\">Segurado Mendez, Adriana, <em>\u00bfEs posible la creaci\u00f3n esc\u00e9nica decolonial en Europa? El panorama teatral catal\u00e1n como ejemplo<\/em><\/td>\n<td style=\"width: 24.02791625124625%; height: 80px;\" valign=\"top\">P: Anna Solanilla<br \/>\nS: Anna Corral<br \/>\nV: Jordi Jan\u00e9<\/td>\n<\/tr>\n<tr style=\"height: 72px;\">\n<td style=\"width: 15.453639082751744%; height: 72px;\" valign=\"top\">14.00 h<br \/>\naula 208<\/td>\n<td style=\"width: 60.31904287138587%; height: 72px;\" valign=\"middle\">Roig Vallejo, Teresa, <em>Investigaci\u00f3 sobre l\u2019aplicaci\u00f3 de les Constel\u00b7lacions Familiars de Bert Hellinger als personatges de William Shakespeare<\/em><\/td>\n<td style=\"width: 24.02791625124625%; height: 72px;\" valign=\"top\">P: Ester Vendrell<br \/>\nS: Christine W. Schmutz<br \/>\nV: Beth Escud\u00e9<\/td>\n<\/tr>\n<tr style=\"height: 72px;\">\n<td style=\"width: 15.453639082751744%; height: 72px;\" valign=\"top\">14.00 h<br \/>\naula 209<\/td>\n<td style=\"width: 60.31904287138587%; height: 72px;\" valign=\"top\">Mart\u00edn L\u00f3pez, Alba, \u2018<em>Final de partida\u2019, entre l\u2019execuci\u00f3 i la lectura. La posada en escena i la cr\u00edtica a Catalunya<\/em><\/td>\n<td style=\"width: 24.02791625124625%; height: 72px;\" valign=\"top\">P: N\u00faria Santamaria<br \/>\nS: Carles Batlle<br \/>\nV: Anna Corral<\/td>\n<\/tr>\n<tr style=\"height: 72px;\">\n<td style=\"width: 15.453639082751744%; height: 72px;\" valign=\"top\">17.00 h<br \/>\nvirtual<\/td>\n<td style=\"width: 60.31904287138587%; height: 72px;\" valign=\"middle\">Ap\u00fa Hidalgo, Mar\u00eda Guadalupe <em>Cartograf\u00eda sobre la producci\u00f3n teatral en Costa Rica durante el 2021<\/em><\/td>\n<td style=\"width: 24.02791625124625%; height: 72px;\" valign=\"top\">P: N\u00faria Llorens<br \/>\nS: Rossend Arqu\u00e9s<br \/>\nV: Antoni Ramon<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<h4>Lectura extraordin\u00e0ria, 14 de juliol<\/h4>\n<table style=\"width: 100%;\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td style=\"width: 15.553339980059821%;\" valign=\"top\"><strong><em>Horari i \u00a0aula<\/em><\/strong><\/td>\n<td style=\"width: 60.319042871385854%;\" valign=\"top\"><strong><em>Autor\/a i t\u00edtol<\/em><\/strong><\/td>\n<td style=\"width: 23.92821535393818%;\" valign=\"top\"><strong><em>tribunal<\/em><\/strong><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 15.553339980059821%;\" valign=\"top\">11.00 h<br \/>\naula 204<\/td>\n<td style=\"width: 60.319042871385854%;\" valign=\"middle\">Hern\u00e1ndez Fern\u00e1ndez, Luc\u00eda, <em>La compa\u00f1\u00eda A Panadar\u00eda y su apuesta por un teatro l\u00e9sbico<\/em><\/td>\n<td style=\"width: 23.92821535393818%;\" valign=\"top\">P: Jordi Jan\u00e9<br \/>\nS: Daniela Palmeri<br \/>\nV: Francesc Foguet<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>P: presid\u00e8ncia. S: secretaria. V: vocalia.<\/p>\n<p>&nbsp;<\/p>\n<h4>Procediment<\/h4>\n<ol>\n<li>Les sessions de defensa p\u00fablica dels TFM seran presencials, excepte en un cas que ser\u00e0 virtual (via Teams).<\/li>\n<\/ol>\n<ol start=\"2\">\n<li>El protocol de la presentaci\u00f3 mantindr\u00e0 la temporalitzaci\u00f3 establerta en la guia docent, \u00e9s a dir:<br \/>\n&#8211; 15 minuts d\u2019exposici\u00f3 per a l\u2019autor\/a del TFM, en qu\u00e8 nom\u00e9s ha d\u2019exposar les conclusions i els punts forts i febles del treball;<br \/>\n&#8211; 30 minuts per als membres del tribunal (10 minuts per a cadascun);<br \/>\n&#8211; 15 minuts de debat\/r\u00e8plica\/deliberaci\u00f3.<br \/>\nLa qualificaci\u00f3 final no es notificar\u00e0 fins a l\u2019enviament de l\u2019acta de la sessi\u00f3 (vegeu el punt 3). La matr\u00edcula d\u2019honor queda reservada per a l\u2019estudiant que tingui millor nota i millor expedient del m\u00e0ster.<\/li>\n<\/ol>\n<ol start=\"3\">\n<li>Un cop consensuada la qualificaci\u00f3 amb la resta de membres del tribunal, el president o la presidenta del tribunal del TFM es responsabilitzar\u00e0 d\u2019enviar l\u2019acta en pdf, <b>el mateix dia 2 de setembre<\/b>, convenientment emplenada i signada, a l\u2019estudiant avaluat i al coordinador del m\u00f2dul (<a href=\"mailto:francesc.foguet@uab.cat\">francesc.foguet@uab.cat<\/a>), amb c\u00f2pia a la secretaria del Departament de Filologia Catalana (<a href=\"mailto:d.fil.catalana@uab.cat\">d.fil.catalana@uab.cat<\/a>).<span class=\"Apple-converted-space\">\u00a0<\/span><\/li>\n<\/ol>\n","protected":false},"excerpt":{"rendered":"<p>Les lectures dels TFM del MUET tindran lloc el dia 2 de setembre de 2022 en format presencial i, en algun cas excepcional, virtual. Divendres, 2 de setembre de 2022, Aules 208 i 209 de la Facultat de Filosofia i Lletres de la UAB Horari i \u00a0aula Autor\/a i t\u00edtol tribunal 10.00 aula 208 Balart [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":2429,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[6,7],"tags":[],"class_list":["post-2428","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-informacio-academica","category-noticies","et-has-post-format-content","et_post_format-et-post-format-standard"],"_links":{"self":[{"href":"https:\/\/masters.filescat.uab.cat\/muet\/wp-json\/wp\/v2\/posts\/2428","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/masters.filescat.uab.cat\/muet\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/masters.filescat.uab.cat\/muet\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/masters.filescat.uab.cat\/muet\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/masters.filescat.uab.cat\/muet\/wp-json\/wp\/v2\/comments?post=2428"}],"version-history":[{"count":12,"href":"https:\/\/masters.filescat.uab.cat\/muet\/wp-json\/wp\/v2\/posts\/2428\/revisions"}],"predecessor-version":[{"id":2450,"href":"https:\/\/masters.filescat.uab.cat\/muet\/wp-json\/wp\/v2\/posts\/2428\/revisions\/2450"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/masters.filescat.uab.cat\/muet\/wp-json\/wp\/v2\/media\/2429"}],"wp:attachment":[{"href":"https:\/\/masters.filescat.uab.cat\/muet\/wp-json\/wp\/v2\/media?parent=2428"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/masters.filescat.uab.cat\/muet\/wp-json\/wp\/v2\/categories?post=2428"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/masters.filescat.uab.cat\/muet\/wp-json\/wp\/v2\/tags?post=2428"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}