{"id":1802,"date":"2020-09-03T09:49:41","date_gmt":"2020-09-03T09:49:41","guid":{"rendered":"http:\/\/masters.filescat.uab.cat\/muet\/?p=1802"},"modified":"2020-09-03T09:49:41","modified_gmt":"2020-09-03T09:49:41","slug":"lectures-virtuals-dels-treballs-de-fi-de-master-curs-2019-2020","status":"publish","type":"post","link":"https:\/\/masters.filescat.uab.cat\/muet\/lectures-virtuals-dels-treballs-de-fi-de-master-curs-2019-2020\/","title":{"rendered":"Lectures virtuals dels Treballs de Fi de M\u00e0ster (curs 2019-2020)"},"content":{"rendered":"<h3>Les lectures dels TFM del MUET tindran lloc els dies 8 i 9 de setembre de 2020 en format virtual.<\/h3>\n<h4>DIMARTS, 8 DE SETEMBRE<\/h4>\n<table style=\"width: 100%\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td style=\"width: 14.349112426035504%\" valign=\"top\">\n<p><strong>HORARI<\/strong><\/p>\n<\/td>\n<td style=\"width: 60.35502958579884%\" valign=\"top\">\n<p><strong>AUTOR\/A I T\u00cdTOL<\/strong><\/p>\n<\/td>\n<td style=\"width: 25.14792899408283%\" valign=\"top\">\n<p><strong>TRIBUNAL<\/strong><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 14.349112426035504%\" valign=\"top\">\n<p>8.00 h.<\/p>\n<\/td>\n<td style=\"width: 60.35502958579884%\" valign=\"top\">\n<p><strong>Ramis Maschs, N\u00faria<\/strong>, <em>Perdent el fil de la cr\u00edtica. La cr\u00edtica de teatre en l\u2019arribada a l\u2019era digital (2011-2020)<\/em><\/p>\n<\/td>\n<td style=\"width: 25.14792899408283%\" valign=\"top\">\n<p>P: Enric Gall\u00e9n<br \/>\nS: Francesc Foguet<br \/>\nV: Miquel M. Gibert<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 14.349112426035504%\" valign=\"top\">\n<p>9.30 h.<\/p>\n<\/td>\n<td style=\"width: 60.35502958579884%\" valign=\"top\">\n<p><strong>Serra G\u00f3mez, Cl\u00e0udia<\/strong>, <em>Els porcs i la porquera en Porcile. Aproximaci\u00f3 a l\u2019obra teatral de Pier Paolo Pasolini, a partir de la simbologia animal<\/em><\/p>\n<\/td>\n<td style=\"width: 25.14792899408283%\" valign=\"top\">\n<p>P: N\u00faria Santamaria<br \/>\nS: Roberto Fratini<br \/>\nV: Rossend Arqu\u00e9s<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 14.349112426035504%\" valign=\"top\">\n<p>9.30 h.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<\/td>\n<td style=\"width: 60.35502958579884%\" valign=\"top\">\n<p><strong>Granero, Pedro<\/strong>, <em>Estrategias performativas del tipo\u00a0en las agrupaciones callejeras del Carnaval de C\u00e1diz 2020: La Angangu\u00edssima, Los Masoquistas y Las Juanis Joplin<\/em><\/p>\n<\/td>\n<td style=\"width: 25.14792899408283%\" valign=\"top\">\n<p>P: Miquel M. Gibert<br \/>\nS: Francesc Foguet<br \/>\nV: Enric Gall\u00e9n<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 14.349112426035504%\" valign=\"top\">\n<p>9.30 h.<\/p>\n<\/td>\n<td style=\"width: 60.35502958579884%\" valign=\"top\">\n<p><strong>Olivares Parra, Daniel<\/strong>, <em>Stanislavski y Donnellan: actuaci\u00f3n org\u00e1nica desde una mirada extrospectiva<\/em><\/p>\n<\/td>\n<td style=\"width: 25.14792899408283%\" valign=\"top\">\n<p>P: Ester Vendrell<br \/>\nS: Merc\u00e8 Saumell<br \/>\nV: Llu\u00eds Masgrau<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 14.349112426035504%\" valign=\"top\">\n<p>11.00 h.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<\/td>\n<td style=\"width: 60.35502958579884%\" valign=\"top\">\n<p><strong>Ca\u00f1as Abell, Ximena Amparo<\/strong>, <em>El concepto y pr\u00e1ctica de Ritualidad en tres acciones esc\u00e9nicas en el espacio p\u00fablico en Chile, desde una perspectiva feminista contempor\u00e1nea<\/em><\/p>\n<\/td>\n<td style=\"width: 25.14792899408283%\" valign=\"top\">\n<p>P: Anna Solanilla<br \/>\nS: N\u00faria Santamaria<br \/>\nV: V\u00edctor Molina<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 14.349112426035504%\" valign=\"top\">\n<p>11.00 h.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<\/td>\n<td style=\"width: 60.35502958579884%\" valign=\"top\">\n<p><strong>N\u00fa\u00f1ez P\u00e9rez, Adri\u00e1n<\/strong>, <em>El An\u00e1lisis Activo y la emancipaci\u00f3n del actor<\/em><\/p>\n<\/td>\n<td style=\"width: 25.14792899408283%\" valign=\"top\">\n<p>P: Roberto Fratini<br \/>\nS: Ester Vendrell<br \/>\nV: Llu\u00eds Masgrau<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 14.349112426035504%\" valign=\"top\">\n<p>12.30 h.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<\/td>\n<td style=\"width: 60.35502958579884%\" valign=\"top\">\n<p><strong>Adan i Jim\u00e9nez, Marc<\/strong>, <em>Els espais de representaci\u00f3 del teatre dins del teatre a l\u2019escenari elisabeti\u00e0 i \u00e0uric<\/em><\/p>\n<\/td>\n<td style=\"width: 25.14792899408283%\" valign=\"top\">\n<p>P: Enric Gall\u00e9n<br \/>\nS: N\u00faria Llorens<br \/>\nV: Antoni Ramon<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 14.349112426035504%\" valign=\"top\">\n<p>12.30 h.<\/p>\n<\/td>\n<td style=\"width: 60.35502958579884%\" valign=\"top\">\n<p><strong>Cuervo \u00c1lvarez, Laura<\/strong>, <em>La proeza funambulista de Philippe Petit en las Torres Gemelas. Una lectura antropol\u00f3gica y teatral<\/em><\/p>\n<\/td>\n<td style=\"width: 25.14792899408283%\" valign=\"top\">\n<p>P: N\u00faria Santamaria<br \/>\nS: Merc\u00e8 Saumell<br \/>\nV: Roberto Fratini<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 14.349112426035504%\" valign=\"top\">\n<p>14.00 h.<\/p>\n<\/td>\n<td style=\"width: 60.35502958579884%\" valign=\"top\">\n<p><strong>Nicotra, Angelo<\/strong>, <em>Dissid\u00e8ncia hermen\u00e8utica en les arts esc\u00e8niques, fins i tot durant els r\u00e8gims dictatorials (1936-1939): Pirandello, Bu\u00f1uel i Espriu<\/em><\/p>\n<\/td>\n<td style=\"width: 25.14792899408283%\" valign=\"top\">\n<p>P: N\u00faria Llorens<br \/>\nS: Daniela Palmeri<br \/>\nV: Rossend Arqu\u00e9s<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 14.349112426035504%\" valign=\"top\">\n<p>14.00 h.<\/p>\n<\/td>\n<td style=\"width: 60.35502958579884%\" valign=\"top\">\n<p><strong>Vidal-Ribas Belil, Guillermo, <\/strong><em>Funki hip-hop: l\u2019entrecreuament entre el fitness i la dansa urbana a la Catalunya dels noranta<\/em><\/p>\n<\/td>\n<td style=\"width: 25.14792899408283%\" valign=\"top\">\n<p>P: Llu\u00eds Masgrau<br \/>\nS: Francesc Cort\u00e8s<br \/>\nV: Ester Vendrell<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 14.349112426035504%\" valign=\"top\">\n<p>15.30 h.<\/p>\n<\/td>\n<td style=\"width: 60.35502958579884%\" valign=\"top\">\n<p><strong>Sierra Castrill\u00f3n, Mauricio<\/strong>, <em>Teatro en autob\u00fas. Desviaciones urbanas en movimiento<\/em><\/p>\n<\/td>\n<td style=\"width: 25.14792899408283%\" valign=\"top\">\n<p>P: Antoni Ramon<br \/>\nS: Carles Batlle<br \/>\nV: Roberto Fratini<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 14.349112426035504%\" valign=\"top\">\n<p>15.30 h.<\/p>\n<\/td>\n<td style=\"width: 60.35502958579884%\" valign=\"top\">\n<p><strong>Isla Hidalgo, Jos\u00e9<\/strong>, <em>Relaciones esc\u00e9nicas entre cuerpos y objetos electr\u00f3nicos en tres obras de Shonen<\/em><\/p>\n<\/td>\n<td style=\"width: 25.14792899408283%\" valign=\"top\">\n<p>P: Llu\u00eds Masgrau<br \/>\nS: V\u00edctor Molina<span class=\"Apple-converted-space\">\u00a0<br \/>\n<\/span>V: Merc\u00e8 Saumell<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 14.349112426035504%\" valign=\"top\">\n<p>17.00 h.<\/p>\n<\/td>\n<td style=\"width: 60.35502958579884%\" valign=\"top\">\n<p><strong>Orellana, Ernesto<\/strong>, <em>Giros queer del teatro pol\u00edtico: disidencias sexuales expandidas en el teatro contempor\u00e1neo chileno<\/em><\/p>\n<\/td>\n<td style=\"width: 25.14792899408283%\" valign=\"top\">\n<p>P: Antoni Ramon<br \/>\nS: Rossend Arqu\u00e9s<br \/>\nV: Carles Batlle<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 14.349112426035504%\" valign=\"top\">\n<p>17.00 h.<\/p>\n<\/td>\n<td style=\"width: 60.35502958579884%\" valign=\"top\">\n<p><strong>Capino Jorquera, Tamara<\/strong>, <em>T\u00e9cnicas boalianas para fomentar las relaciones interpersonales en los profesores y profesoras de la Escuela Pen\u00ednsula de Tumbes<\/em><\/p>\n<\/td>\n<td style=\"width: 25.14792899408283%\" valign=\"top\">\n<p>P: Llu\u00eds Masgrau<br \/>\nS: Enric Gall\u00e9n<br \/>\nV: Francesc Foguet<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 14.349112426035504%\" valign=\"top\">\n<p>18.30<\/p>\n<\/td>\n<td style=\"width: 60.35502958579884%\" valign=\"top\">\n<p><strong>P\u00e9rez M\u00e9ndez, Cecilia<\/strong>, <em>Animales en la escena teatral<\/em><\/p>\n<\/td>\n<td style=\"width: 25.14792899408283%\" valign=\"top\">\n<p>P: Miquel M. Gibert<br \/>\nS: Enric Gall\u00e9n<br \/>\nV: Francesc Foguet<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 14.349112426035504%\" valign=\"top\">\n<p>18.30<\/p>\n<\/td>\n<td style=\"width: 60.35502958579884%\" valign=\"top\">\n<p><strong>Colotto, Romina<\/strong>, <em>\u2018Operformance\u2019. Una lectura performativa en la obra de Salvatore Sciarrino<\/em><\/p>\n<\/td>\n<td style=\"width: 25.14792899408283%\" valign=\"top\">\n<p>P: Rossend Arqu\u00e9s<br \/>\nS: Daniela Palmeri<br \/>\nV: Francesc Cort\u00e8s<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h4>DIMECRES, 9 DE SETEMBRE<\/h4>\n<table style=\"width: 100%\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td style=\"width: 14.201183431952664%\" valign=\"top\">\n<p><strong>Horari<\/strong><\/p>\n<\/td>\n<td style=\"width: 60.502958579881636%\" valign=\"top\">\n<p><strong>Autor\/a i t\u00edtol<\/strong><\/p>\n<\/td>\n<td style=\"width: 25.147928994082857%\" valign=\"top\">\n<p><strong>tribunal<\/strong><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 14.201183431952664%\" valign=\"top\">\n<p>8.00 h.<\/p>\n<\/td>\n<td style=\"width: 60.502958579881636%\" valign=\"top\">\n<p><strong>Forsberg Conde, Erik<\/strong>, <em>La protesta pol\u00edtica com a realitzaci\u00f3 esc\u00e8nica: an\u00e0lisi teatral de la Via Catalana del 2013 per la independ\u00e8ncia<\/em><\/p>\n<\/td>\n<td style=\"width: 25.147928994082857%\" valign=\"top\">\n<p>P: Llu\u00eds Masgrau<br \/>\nS: Miquel M. Gibert<br \/>\nV: Francesc Foguet<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 14.201183431952664%\" valign=\"top\">\n<p>9.30 h.<\/p>\n<\/td>\n<td style=\"width: 60.502958579881636%\" valign=\"top\">\n<p><strong>P\u00e9rez Moro, Irene<\/strong>, <em>Margaret Cavendish e Ideolog\u00eda de G\u00e9nero:\u201cLa Incoherencia ideol\u00f3gica de Lady Feliz en El Convento del Placer\u201d<\/em><\/p>\n<\/td>\n<td style=\"width: 25.147928994082857%\" valign=\"top\">\n<p>P: N\u00faria Santamaria<br \/>\nS: Daniela Palmeri<br \/>\nV: Carles Batlle<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 14.201183431952664%\" valign=\"top\">\n<p>9.30 h.<\/p>\n<\/td>\n<td style=\"width: 60.502958579881636%\" valign=\"top\">\n<p><strong>Lorente Requena, Judith<\/strong>, <em>El casting entre po\u00e9tica y mercado. Una propuesta de estudio y an\u00e1lisis sobre la direcci\u00f3n de casting<\/em><\/p>\n<\/td>\n<td style=\"width: 25.147928994082857%\" valign=\"top\">\n<p>P: Rossend Arqu\u00e9s<br \/>\nS: V\u00edctor Molina<br \/>\nV: Roberto Fratini<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 14.201183431952664%\" valign=\"top\">\n<p>11.00 h.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<\/td>\n<td style=\"width: 60.502958579881636%\" valign=\"top\">\n<p><strong>Lafarque Bover, Dol\u00e7a<\/strong>, <em>El festival Sism\u00f2graf d&#8217;Olot. La ciutat que es transforma amb la dansa<\/em><\/p>\n<\/td>\n<td style=\"width: 25.147928994082857%\" valign=\"top\">\n<p>P: Ester Vendrell<br \/>\nS: Roberto Fratini<br \/>\nV: Anna Solanilla<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 14.201183431952664%\" valign=\"top\">\n<p>11.00 h.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<\/td>\n<td style=\"width: 60.502958579881636%\" valign=\"top\">\n<p><strong>Pedraza Maraver, Julio<\/strong>, <em>El teatre a l\u2019Educaci\u00f3 Prim\u00e0ria. La inclusi\u00f3 de l\u2019ensenyament del teatre dins l\u2019horari lectiu a les escoles Sant Lloren\u00e7 del Munt i Ramon Pont de Terrassa<\/em><\/p>\n<\/td>\n<td style=\"width: 25.147928994082857%\" valign=\"top\">\n<p>P: Miquel M. Gibert<br \/>\nS: Francesc Foguet<br \/>\nV: Enric Gall\u00e9n<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 14.201183431952664%\" valign=\"top\">\n<p>12.30 h.<\/p>\n<\/td>\n<td style=\"width: 60.502958579881636%\" valign=\"top\">\n<p><strong>Sumalla, Sarah<\/strong>, <em>Baro d\u2019Evel et l\u2019art du pr\u00e9sent<\/em><\/p>\n<\/td>\n<td style=\"width: 25.147928994082857%\" valign=\"top\">\n<p>P: Merc\u00e8 Saumell<br \/>\nS: Antoni Ramon<br \/>\nV: V\u00edctor Molina<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 14.201183431952664%\" valign=\"top\">\n<p>12.30 h.<\/p>\n<\/td>\n<td style=\"width: 60.502958579881636%\" valign=\"top\">\n<p><strong>Piedras Palermo, Alejandra<\/strong>, <em>\u00bfCu\u00e1les son los fundamentos pedag\u00f3gicos del plan de estudios de Moveo?<\/em><\/p>\n<\/td>\n<td style=\"width: 25.147928994082857%\" valign=\"top\">\n<p>P: Ester Vendrell<br \/>\nS: Anna Solanilla<span class=\"Apple-converted-space\">\u00a0<br \/>\n<\/span>V: Llu\u00eds Masgrau<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 14.201183431952664%\" valign=\"top\">\n<p>14.00 h.<\/p>\n<\/td>\n<td style=\"width: 60.502958579881636%\" valign=\"top\">\n<p><strong>Jurado de Luis, Cintia<\/strong>, <em>Col\u00b7lectius art\u00edstics en la transformaci\u00f3 d\u2019espais i contextos urbans<\/em><\/p>\n<\/td>\n<td style=\"width: 25.147928994082857%\" valign=\"top\">\n<p>P: Antoni Ramon<br \/>\nS: N\u00faria Llorens<br \/>\nV: Anna Solanilla<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 14.201183431952664%\" valign=\"top\">\n<p>14.00 h.<\/p>\n<\/td>\n<td style=\"width: 60.502958579881636%\" valign=\"top\">\n<p><strong>Escalante Petersen, Dami\u00e1n<\/strong>, <em>El teatro de la Crueldad y la Escuela de Sociolog\u00eda. Paralelos te\u00f3ricos entre Antonin Artaud y Georges Bataille<\/em><\/p>\n<\/td>\n<td style=\"width: 25.147928994082857%\" valign=\"top\">\n<p>P: Rossend Arqu\u00e9s<br \/>\nS: Carles Batlle<br \/>\nV: V\u00edctor Molina<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 14.201183431952664%\" valign=\"top\">\n<p>15.30 h.<\/p>\n<\/td>\n<td style=\"width: 60.502958579881636%\" valign=\"top\">\n<p><strong>Saura, Alba<\/strong>, <em>La po\u00e9tica esc\u00e9nica de Pablo Messiez. El montaje de \u2018Los d\u00edas felices\u2019<\/em><\/p>\n<\/td>\n<td style=\"width: 25.147928994082857%\" valign=\"top\">\n<p>P: V\u00edctor Molina<br \/>\nS: Jordi Jan\u00e9<br \/>\nV: Carles Batlle<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 14.201183431952664%\" valign=\"top\">\n<p>15.30 h.<\/p>\n<\/td>\n<td style=\"width: 60.502958579881636%\" valign=\"top\">\n<p><strong>Valls Fern\u00e1ndez, Marina<\/strong>, <em>El teatre d\u2019un Belluguet. Estudi teatral sobre el Taller Masriera. Quin ser\u00e0 el seu futur<\/em><\/p>\n<\/td>\n<td style=\"width: 25.147928994082857%\" valign=\"top\">\n<p>P: Francesc Cort\u00e8s<br \/>\nS: Francesc Foguet<br \/>\nV: Antoni Ramon<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 14.201183431952664%\" valign=\"top\">\n<p>17.00 h.<\/p>\n<\/td>\n<td style=\"width: 60.502958579881636%\" valign=\"top\">\n<p><strong>Mor\u00e1n, Omar<\/strong>, <em>Po\u00e9ticas del testimonio. Deslizamientos liminales en la pr\u00e1ctica dramat\u00fargica del teatro contempor\u00e1neo en Chile<\/em><\/p>\n<\/td>\n<td style=\"width: 25.147928994082857%\" valign=\"top\">\n<p>P: Carles Batlle<br \/>\nS: Merc\u00e8 Saumell<br \/>\nV: V\u00edctor Molina<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 14.201183431952664%\" valign=\"top\">\n<p>17.00 h.<\/p>\n<\/td>\n<td style=\"width: 60.502958579881636%\" valign=\"top\">\n<p><strong>Mej\u00eda Oviedo, Eliana Patricia<\/strong>, <em>Karmen. Una dramaturgia de g\u00e9nero. Estudio a la puesta esc\u00e9nica de la obra \u2018Karmen\u2019 del grupo de teatro La M\u00e1scara Cali-Colombia<\/em><\/p>\n<\/td>\n<td style=\"width: 25.147928994082857%\" valign=\"top\">\n<p>P: Anna Solanilla<br \/>\nS: Roberto Fratini<br \/>\nV: N\u00faria Santamaria<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 14.201183431952664%\" valign=\"top\">\n<p>18.30<\/p>\n<\/td>\n<td style=\"width: 60.502958579881636%\" valign=\"top\">\n<p><strong>Maimouni Boada, Ismael<\/strong>, <em>Play de Game. Introducci\u00f3n de elementos del dise\u00f1o de videojuegos en la creaci\u00f3n de espect\u00e1culos de teatro inmersivo<\/em><\/p>\n<\/td>\n<td style=\"width: 25.147928994082857%\" valign=\"top\">\n<p>P: V\u00edctor Molina<br \/>\nS: Francesc Cort\u00e8s<br \/>\nV: Merc\u00e8 Saumell<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 14.201183431952664%\" valign=\"top\">\n<p>18.30<\/p>\n<\/td>\n<td style=\"width: 60.502958579881636%\" valign=\"top\">\n<p><strong>Delgadillo Fern\u00e1ndez, Marta<\/strong>, <em>El bucle de retro-alimentaci\u00f3n autopoi\u00e9tico en el psicodrama p\u00fablico a partir de Est\u00e9tica de lo performativo de Erika Fischer-Lichte<\/em><\/p>\n<\/td>\n<td style=\"width: 25.147928994082857%\" valign=\"top\">\n<p>P: Jordi Jan\u00e9<br \/>\nS: Carles Batlle<br \/>\nV: Ester Vendrell<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Les lectures dels TFM del MUET tindran lloc els dies 8 i 9 de setembre de 2020 en format virtual. DIMARTS, 8 DE SETEMBRE HORARI AUTOR\/A I T\u00cdTOL TRIBUNAL 8.00 h. Ramis Maschs, N\u00faria, Perdent el fil de la cr\u00edtica. La cr\u00edtica de teatre en l\u2019arribada a l\u2019era digital (2011-2020) P: Enric Gall\u00e9n S: Francesc [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1806,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[6,7],"tags":[],"class_list":["post-1802","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-informacio-academica","category-noticies","et-has-post-format-content","et_post_format-et-post-format-standard"],"_links":{"self":[{"href":"https:\/\/masters.filescat.uab.cat\/muet\/wp-json\/wp\/v2\/posts\/1802","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/masters.filescat.uab.cat\/muet\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/masters.filescat.uab.cat\/muet\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/masters.filescat.uab.cat\/muet\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/masters.filescat.uab.cat\/muet\/wp-json\/wp\/v2\/comments?post=1802"}],"version-history":[{"count":0,"href":"https:\/\/masters.filescat.uab.cat\/muet\/wp-json\/wp\/v2\/posts\/1802\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/masters.filescat.uab.cat\/muet\/wp-json\/wp\/v2\/media\/1806"}],"wp:attachment":[{"href":"https:\/\/masters.filescat.uab.cat\/muet\/wp-json\/wp\/v2\/media?parent=1802"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/masters.filescat.uab.cat\/muet\/wp-json\/wp\/v2\/categories?post=1802"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/masters.filescat.uab.cat\/muet\/wp-json\/wp\/v2\/tags?post=1802"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}