{"id":1232,"date":"2018-08-01T14:42:56","date_gmt":"2018-08-01T14:42:56","guid":{"rendered":"http:\/\/masters.filescat.uab.cat\/muet\/?p=1232"},"modified":"2018-08-01T14:42:56","modified_gmt":"2018-08-01T14:42:56","slug":"defensa-publica-dels-tfm-del-master-universitari-en-estudis-teatrals","status":"publish","type":"post","link":"https:\/\/masters.filescat.uab.cat\/muet\/defensa-publica-dels-tfm-del-master-universitari-en-estudis-teatrals\/","title":{"rendered":"Defensa p\u00fablica dels TFM del M\u00e0ster Universitari en Estudis Teatrals"},"content":{"rendered":"

El proper 3 de setembre de 2018, els estudiants del M\u00e0ster Universitari en Estudis Teatrals defensaran els seus Treballs de Fi de M\u00e0ster (TFM).<\/h4>\n

Obertes al p\u00fablic interessat, les lectures d\u2019aquests treballs de recerca tindran lloc a les aules 202 i 203 de la Facultat de Filosofia i Lletres de la UAB.<\/h3>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\n

Hora i aula<\/em><\/p>\n<\/td>\n

\n

T\u00edtol i autor<\/em><\/p>\n<\/td>\n

\n

Tribunal<\/em>*<\/p>\n<\/td>\n<\/tr>\n

\n

9.00 h.
\nAula 202<\/p>\n<\/td>\n

\n

Formas del don: nuevos procedimientos de transmisi\u00f3n en danza<\/em>, de Laura Alcal\u00e0 Freudenthal<\/p>\n<\/td>\n

\n

P: Esther Vendrell
\nS: Merc\u00e8 Saumell
\nV: Roberto Fratini<\/p>\n<\/td>\n<\/tr>\n

\n

9.00 h.
\nAula 203<\/p>\n<\/td>\n

\n

Hamlet, el mite del fil\u00f2sof-rei. Shakespeare a <\/em>La Rep\u00fablica de Plat\u00f3<\/em>, de Maria Claustre Arnau Vinyals<\/p>\n<\/td>\n

\n

P: Francesc Foguet\u00a0
\n<\/span>S: Francesc Cort\u00e9s
\nV: Beth Escud\u00e9<\/p>\n<\/td>\n<\/tr>\n

\n

10. 00 h.
\nAula 202<\/p>\n<\/td>\n

\n

Opciones dramat\u00fargicas en el Circo Contempor\u00e1neo<\/em>, de V\u00edctor Bobadilla Parra<\/p>\n<\/td>\n

\n

P: Rossend Arqu\u00e9s
\nS: Beth Escud\u00e9
\nV: Merc\u00e8 Saumell<\/p>\n<\/td>\n<\/tr>\n

\n

10.00 h.
\nAula 203<\/p>\n<\/td>\n

\n

\u00c0ngel Guimer\u00e0, el Shakespeare catal\u00e0?<\/em>, de Marc Fern\u00e1ndez Cuy\u00e0s<\/p>\n<\/td>\n

\n

P: N\u00faria Santamaria
\nS: Francesc Foguet
\nV: Miquel M. Gibert<\/p>\n<\/td>\n<\/tr>\n

\n

11. 00 h.\u00a0
\n<\/span>Aula 202<\/p>\n<\/td>\n

\n

\u00c1ngeles decadentes. Sexualidad y erotismo en el teatro musical Cabaret de Sam Mendes<\/em>, de V\u00edctor Corralero Sevilla<\/p>\n<\/td>\n

\n

P: Beth Escud\u00e9
\nS: Rossend Arqu\u00e9s
\nV: Francesc Cort\u00e9s<\/p>\n<\/td>\n<\/tr>\n

\n

11. 00 h.\u00a0
\n<\/span>Aula 203<\/p>\n<\/td>\n

\n

El paper de les f\u00e0briques de creaci\u00f3 en la dansa contempor\u00e0nia a Barcelona<\/em>, de Marta G\u00e1lvez Moncasi<\/p>\n<\/td>\n

\n

P: Ester Vendrell
\nS: Roberto Fratini
\nV: Anna Solanilla<\/p>\n<\/td>\n<\/tr>\n

\n

12.00 h.
\nAula 202<\/p>\n<\/td>\n

\n

La petita flauta m\u00e0gica de Comediants: un model d\u2019adaptaci\u00f3 d\u2019\u00f2pera infantil<\/em>, de X\u00e8nia Lanau Trallero<\/p>\n<\/td>\n

\n

P: Miquel M. Gibert
\nS: Francesc Cort\u00e9s
\nV: Francesc Foguet<\/p>\n<\/td>\n<\/tr>\n

\n

12. 00 h.\u00a0
\n<\/span>Aula 203<\/p>\n<\/td>\n

\n

Provocando un estado liminal. Micro-espect\u00e1culo teatral: <\/em>He quedado con Ricardo, d\u2019Estefan\u00eda Mardones<\/p>\n<\/td>\n

\n

P: N\u00faria Llorens
\nS: Anna Solanilla
\nV: Llu\u00eds Masgrau<\/p>\n<\/td>\n<\/tr>\n

\n

13. 00 h.\u00a0
\n<\/span>Aula 202<\/p>\n<\/td>\n

\n

El tractament de la maternitat al text teatral catal\u00e0 d\u2019autora: els casos de <\/em>La noia de la l\u00e0mpada de Marta Aran<\/em> i Conillet<\/em> de Marta Gal\u00e1n, de Fiona Maxence Ballester<\/p>\n<\/td>\n

\n

P: Anna Corral
\nS: Miquel M. Gibert
\nV: N\u00faria Santamaria<\/p>\n<\/td>\n<\/tr>\n

\n

13. 00 h.
\nAula 203<\/p>\n<\/td>\n

\n

Variacions en el tractament del vers entre 1969 i 2017 en una escena de <\/em>La dama boba, de Lope de Vega<\/em>, de Georgina de Yebra Pint\u00f3<\/p>\n<\/td>\n

\n

P: Anna Solanilla
\nS: Llu\u00eds Masgrau
\nV: Beth Escud\u00e9<\/p>\n<\/td>\n<\/tr>\n

\n

14.00 h.\u00a0
\n<\/span>Aula 202<\/p>\n<\/td>\n

\n

Xu\u00e1rez (2015) de Luis Barrales: la refundaci\u00f3n feminista de Chile<\/em>, de Maria Emilia Macchi Vergara<\/p>\n<\/td>\n

\n

P: N\u00faria Santamaria
\nS: Francesc Foguet
\nV: Anna Corral<\/p>\n<\/td>\n<\/tr>\n

\n

14. 00 h.
\nAula 203<\/p>\n<\/td>\n

\n

Lo inagotable del recrear. An\u00e1lisis desde la mirada del cor\u00e9ografo-recreador en la obra <\/em>Columbario, de Juan Andr\u00e9s R\u00edos Cruz<\/p>\n<\/td>\n

\n

P: Roberto Fratini
\nS: Llu\u00eds Masgrau
\nV: Ester Vendrell<\/p>\n<\/td>\n<\/tr>\n

\n

15. 00 h.\u00a0
\n<\/span>Aula 202<\/p>\n<\/td>\n

\n

La nostalgia de Naomi Kawase. El tiempo como eje dramat\u00fargico de su cine<\/em>, d\u2019\u00c1frica Marqu\u00e9s Ahuir<\/p>\n<\/td>\n

\n

P: Anna Corral
\nS: N\u00faria Llorens\u00a0
\n<\/span>V: N\u00faria Santamaria<\/p>\n<\/td>\n<\/tr>\n

\n

15.00 h.
\nAula 203<\/p>\n<\/td>\n

\n

Kaamelott, una derisi\u00f3n teatral de la Guerra<\/em>, d\u2019Hugo Cagliani-Sureda<\/p>\n<\/td>\n

\n

P: Miquel M. Gibert
\nS: Francesc Foguet
\nV: Rossend Arqu\u00e9s<\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

* P: president; S: secretari; V: vocal.<\/p>\n","protected":false},"excerpt":{"rendered":"

El proper 3 de setembre de 2018, els estudiants del M\u00e0ster Universitari en Estudis Teatrals defensaran els seus Treballs de Fi de M\u00e0ster (TFM). Obertes al p\u00fablic interessat, les lectures d\u2019aquests treballs de recerca tindran lloc a les aules 202 i 203 de la Facultat de Filosofia i Lletres de la UAB. Hora i aula […]<\/p>\n","protected":false},"author":1,"featured_media":1235,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[6,7],"tags":[],"class_list":["post-1232","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-informacio-academica","category-noticies","et-has-post-format-content","et_post_format-et-post-format-standard"],"_links":{"self":[{"href":"https:\/\/masters.filescat.uab.cat\/muet\/wp-json\/wp\/v2\/posts\/1232","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/masters.filescat.uab.cat\/muet\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/masters.filescat.uab.cat\/muet\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/masters.filescat.uab.cat\/muet\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/masters.filescat.uab.cat\/muet\/wp-json\/wp\/v2\/comments?post=1232"}],"version-history":[{"count":0,"href":"https:\/\/masters.filescat.uab.cat\/muet\/wp-json\/wp\/v2\/posts\/1232\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/masters.filescat.uab.cat\/muet\/wp-json\/wp\/v2\/media\/1235"}],"wp:attachment":[{"href":"https:\/\/masters.filescat.uab.cat\/muet\/wp-json\/wp\/v2\/media?parent=1232"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/masters.filescat.uab.cat\/muet\/wp-json\/wp\/v2\/categories?post=1232"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/masters.filescat.uab.cat\/muet\/wp-json\/wp\/v2\/tags?post=1232"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}