{"id":624,"date":"2013-03-19T13:39:41","date_gmt":"2013-03-19T13:39:41","guid":{"rendered":"http:\/\/masters.filescat.uab.catwebs\/portal\/muet\/?page_id=365"},"modified":"2022-06-10T09:24:33","modified_gmt":"2022-06-10T08:24:33","slug":"llicons-magistrals","status":"publish","type":"page","link":"https:\/\/masters.filescat.uab.cat\/muet\/llicons-magistrals\/","title":{"rendered":"Lli\u00e7ons magistrals"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; disabled_on=&#8221;off|off|off&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; custom_padding=&#8221;0px||||false|false&#8221; sticky_enabled=&#8221;0&#8243;][et_pb_row column_structure=&#8221;1_4,1_4,1_4,1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_blurb title=&#8221;MIQUEL M. GIBERT, <br \/><em>Mirant cap a Par\u00eds: Joan Oliver, el teatre de bulevard<\/em>&#8221; image=&#8221;https:\/\/masters.filescat.uab.cat\/muet\/wp-content\/uploads\/sites\/2\/2022\/06\/dt10_mirant-paris_gibert.png&#8221; image_icon_width=&#8221;80%&#8221; icon_alignment=&#8221;left&#8221; admin_label=&#8221;10: Gibert&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; header_text_align=&#8221;left&#8221; header_font_size=&#8221;15px&#8221; body_text_align=&#8221;left&#8221; body_font_size=&#8221;14px&#8221; body_line_height=&#8221;1.4em&#8221; image_icon_custom_padding=&#8221;||0px||false|false&#8221; custom_padding=&#8221;5px||||false|false&#8221; hover_transition_duration=&#8221;0ms&#8221; custom_css_blurb_image=&#8221;margin-bottom: 0px;&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>Lleida: Punctum &amp; MOIET, 2021<br \/>(Documenta Teatral, 10)<\/p>\n<p><em><strong><a href=\"https:\/\/masters.filescat.uab.cat\/muet\/wp-content\/uploads\/sites\/2\/2022\/06\/dt10_mirant-paris_gibert.png\" target=\"_blank\" rel=\"noopener\">Portada<br \/><\/a><a href=\"https:\/\/www.editorialpunctum.com\/coeditors\/master-universitari-estudis-teatrals\/mirant-cap-a-paris\/\" target=\"_blank\" rel=\"noopener\">M\u00e9s informaci\u00f3<\/a><\/strong><br \/><strong><a href=\"https:\/\/drive.google.com\/file\/d\/1SBwBLyWwdNPkLo6FG4IALuenCk4KNgQ8\/view\" target=\"_blank\" rel=\"noopener\">Una mostra<\/a><\/strong><\/em><\/p>\n<p>[\/et_pb_blurb][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_blurb title=&#8221;JOAN MARIA MINGUET, <br \/><em>Per acabar amb el consens de l&#8217;engany<\/em>&#8221; image=&#8221;https:\/\/masters.filescat.uab.cat\/muet\/wp-content\/uploads\/sites\/2\/2022\/06\/dt09_acabar-consens-engany_minguet.png&#8221; image_icon_width=&#8221;80%&#8221; icon_alignment=&#8221;left&#8221; admin_label=&#8221;09: Minguet&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; header_text_align=&#8221;left&#8221; header_font_size=&#8221;15px&#8221; body_text_align=&#8221;left&#8221; body_font_size=&#8221;14px&#8221; body_line_height=&#8221;1.4em&#8221; image_icon_custom_padding=&#8221;||0px||false|false&#8221; custom_padding=&#8221;5px||||false|false&#8221; hover_transition_duration=&#8221;0ms&#8221; custom_css_blurb_image=&#8221;margin-bottom: 0px;&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>Lleida: Punctum &amp; MOIET, 2020<br \/>(Documenta Teatral, 09)<\/p>\n<p><em><strong><a href=\"https:\/\/masters.filescat.uab.cat\/muet\/wp-content\/uploads\/sites\/2\/2022\/06\/dt09_acabar-consens-engany_minguet.png\" target=\"_blank\" rel=\"noopener\">Portada<br \/><\/a><a href=\"https:\/\/www.editorialpunctum.com\/coeditors\/master-universitari-estudis-teatrals\/per-acabar-amb-el-consens-de-lengany\/\" target=\"_blank\" rel=\"noopener\">M\u00e9s informaci\u00f3<\/a><\/strong><br \/><strong><a href=\"https:\/\/drive.google.com\/file\/d\/1uip09kXiJaXtsrSfnSEfNP4tOEKLpNAi\/\" target=\"_blank\" rel=\"noopener\">Una mostra<\/a><\/strong><\/em><\/p>\n<p>[\/et_pb_blurb][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_blurb title=&#8221;JORDI COCA, <br \/><em>Cal saber llegir per poder escriure<\/em>&#8221; image=&#8221;https:\/\/masters.filescat.uab.cat\/muet\/wp-content\/uploads\/sites\/2\/2022\/06\/dt08_cal-saber-llegir_coca.png&#8221; image_icon_width=&#8221;80%&#8221; icon_alignment=&#8221;left&#8221; admin_label=&#8221;08: Coca&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; header_text_align=&#8221;left&#8221; header_font_size=&#8221;15px&#8221; body_text_align=&#8221;left&#8221; body_font_size=&#8221;14px&#8221; body_line_height=&#8221;1.4em&#8221; image_icon_custom_padding=&#8221;||0px||false|false&#8221; custom_padding=&#8221;5px||||false|false&#8221; hover_transition_duration=&#8221;0ms&#8221; custom_css_blurb_image=&#8221;margin-bottom: 0px;&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>Lleida: Punctum &amp; MOIET, 2018<br \/>(Documenta Teatral, 08)<\/p>\n<p><em><strong><a href=\"https:\/\/masters.filescat.uab.cat\/muet\/wp-content\/uploads\/sites\/2\/2022\/06\/dt08_cal-saber-llegir_coca.png\" target=\"_blank\" rel=\"noopener\">Portada<br \/><\/a><a href=\"https:\/\/www.editorialpunctum.com\/coeditors\/master-universitari-estudis-teatrals\/cal-saber-llegir-per-poder-escriure\/\" target=\"_blank\" rel=\"noopener\">M\u00e9s informaci\u00f3<\/a><\/strong><br \/><strong><a href=\"https:\/\/drive.google.com\/file\/d\/1DqNsVW1PADSGv0oZDlx-SPhjH5Ouw-Pt\/\" target=\"_blank\" rel=\"noopener\">Una mostra<\/a><\/strong><\/em><\/p>\n<p>[\/et_pb_blurb][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_blurb title=&#8221;MAR\u00cdA MU\u00d1OZ I PEP RAMIS (MAL PELO), <br \/><em>Quan arriba el silenci<\/em>&#8221; image=&#8221;https:\/\/masters.filescat.uab.cat\/muet\/wp-content\/uploads\/sites\/2\/2022\/06\/dt07_quan-arriba.silenci_malpelo.png&#8221; image_icon_width=&#8221;80%&#8221; icon_alignment=&#8221;left&#8221; admin_label=&#8221;07: Mal Pelo&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; header_text_align=&#8221;left&#8221; header_font_size=&#8221;15px&#8221; body_text_align=&#8221;left&#8221; body_font_size=&#8221;14px&#8221; body_line_height=&#8221;1.4em&#8221; image_icon_custom_padding=&#8221;||0px||false|false&#8221; custom_padding=&#8221;5px||||false|false&#8221; hover_transition_duration=&#8221;0ms&#8221; custom_css_blurb_image=&#8221;margin-bottom: 0px;&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>Lleida: Punctum &amp; MOIET, 2017<br \/>(Documenta Teatral, 07)<\/p>\n<p><em><strong><a href=\"https:\/\/masters.filescat.uab.cat\/muet\/wp-content\/uploads\/sites\/2\/2022\/06\/dt07_quan-arriba.silenci_malpelo.png\" target=\"_blank\" rel=\"noopener\">Portada<br \/><\/a><a href=\"https:\/\/www.editorialpunctum.com\/coeditors\/master-universitari-estudis-teatrals\/quan-arriba-el-silenci\/\" target=\"_blank\" rel=\"noopener\">M\u00e9s informaci\u00f3<\/a><\/strong><br \/><strong><a href=\"https:\/\/ddd.uab.cat\/pub\/llibres\/2017\/182146\/Quan_arriba_el_silenci_9788494579042.pdf\" target=\"_blank\" rel=\"noopener\">Text complet<\/a><\/strong><\/em><\/p>\n<p>[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_4,1_4,1_4,1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_blurb title=&#8221;MANUEL MOLINS, <br \/><em>Una cruel estult\u00edcia (Teatre, Guerra i Veritat)<\/em>&#8221; image=&#8221;https:\/\/masters.filescat.uab.cat\/muet\/wp-content\/uploads\/sites\/2\/2022\/06\/dt06_cruel-estulticia_molins.png&#8221; image_icon_width=&#8221;80%&#8221; icon_alignment=&#8221;left&#8221; admin_label=&#8221;06: Molins&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; header_text_align=&#8221;left&#8221; header_font_size=&#8221;15px&#8221; body_text_align=&#8221;left&#8221; body_font_size=&#8221;14px&#8221; body_line_height=&#8221;1.4em&#8221; image_icon_custom_padding=&#8221;||0px||false|false&#8221; custom_padding=&#8221;5px||||false|false&#8221; hover_transition_duration=&#8221;0ms&#8221; custom_css_blurb_image=&#8221;margin-bottom: 0px;&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>Lleida: Punctum &amp; MOIET, 2015<br \/>(Documenta Teatral, 06)<\/p>\n<p><em><strong><a href=\"https:\/\/masters.filescat.uab.cat\/muet\/wp-content\/uploads\/sites\/2\/2022\/06\/dt06_cruel-estulticia_molins.png\" target=\"_blank\" rel=\"noopener\">Portada<br \/><\/a><a href=\"https:\/\/www.editorialpunctum.com\/coeditors\/master-universitari-estudis-teatrals\/una-cruel-estulticia-teatre-guerra-i-veritat\/\" target=\"_blank\" rel=\"noopener\">M\u00e9s informaci\u00f3<\/a><\/strong><br \/><strong><a href=\"https:\/\/ddd.uab.cat\/pub\/llibres\/2015\/169671\/cruest_a2015.pdf\" target=\"_blank\" rel=\"noopener\">Text complet<\/a><\/strong><\/em><\/p>\n<p>[\/et_pb_blurb][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_blurb title=&#8221;PERE SALABERT, <br \/><em>La m\u00e0quina del teatre. Per a una biografia de la trag\u00e8dia<\/em>&#8221; image=&#8221;https:\/\/masters.filescat.uab.cat\/muet\/wp-content\/uploads\/sites\/2\/2022\/06\/dt05_maquina-teatre_salabert.png&#8221; image_icon_width=&#8221;80%&#8221; icon_alignment=&#8221;left&#8221; admin_label=&#8221;05: salabert&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; header_text_align=&#8221;left&#8221; header_font_size=&#8221;15px&#8221; body_text_align=&#8221;left&#8221; body_font_size=&#8221;14px&#8221; body_line_height=&#8221;1.4em&#8221; image_icon_custom_padding=&#8221;||0px||false|false&#8221; custom_padding=&#8221;5px||||false|false&#8221; hover_transition_duration=&#8221;0ms&#8221; custom_css_blurb_image=&#8221;margin-bottom: 0px;&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>Lleida: Punctum &amp; MOIET, 2013<br \/>(Documenta Teatral, 05)<\/p>\n<p><em><strong><a href=\"https:\/\/masters.filescat.uab.cat\/muet\/wp-content\/uploads\/sites\/2\/2022\/06\/dt05_maquina-teatre_salabert.png\" target=\"_blank\" rel=\"noopener\">Portada<br \/><\/a><a href=\"https:\/\/www.editorialpunctum.com\/coeditors\/master-universitari-estudis-teatrals\/la-maquina-del-teatre-per-a-una-biografia-de-la-tragedia\/\" target=\"_blank\" rel=\"noopener\">M\u00e9s informaci\u00f3<\/a><\/strong><br \/><strong><a href=\"https:\/\/ddd.uab.cat\/pub\/llibres\/2013\/145993\/doctea_a2013n5.pdf\" target=\"_blank\" rel=\"noopener\">Text complet<\/a><\/strong><\/em><\/p>\n<p>[\/et_pb_blurb][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_blurb title=&#8221;SHARON G. FELDMAN, <br \/><em>Sobre les influ\u00e8ncies, la tradici\u00f3 i altres ansietats<\/em>&#8221; image=&#8221;https:\/\/masters.filescat.uab.cat\/muet\/wp-content\/uploads\/sites\/2\/2022\/06\/dt04_influencies-tradicio_feldman.png&#8221; image_icon_width=&#8221;80%&#8221; icon_alignment=&#8221;left&#8221; admin_label=&#8221;04: feldman&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; header_text_align=&#8221;left&#8221; header_font_size=&#8221;15px&#8221; body_text_align=&#8221;left&#8221; body_font_size=&#8221;14px&#8221; body_line_height=&#8221;1.4em&#8221; image_icon_custom_padding=&#8221;||0px||false|false&#8221; custom_padding=&#8221;5px||||false|false&#8221; hover_transition_duration=&#8221;0ms&#8221; custom_css_blurb_image=&#8221;margin-bottom: 0px;&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>Lleida: Punctum &amp; MOIET, 2011<br \/>(Documenta Teatral, 4)<\/p>\n<p><em><strong><a href=\"https:\/\/masters.filescat.uab.cat\/muet\/wp-content\/uploads\/sites\/2\/2022\/06\/dt04_influencies-tradicio_feldman.png\" target=\"_blank\" rel=\"noopener\">Portada<br \/><\/a><a href=\"http:\/\/www.editorialpunctum.com\/coeditors\/master-oficial-interuniversitari-estudis-teatrals\/sobre-les-influencies-la-tradicio-i-altres-ansietats-alguns-dilemes-de-lescena-catalana-contemporania\/\" target=\"_blank\" rel=\"noopener\">M\u00e9s informaci\u00f3<\/a><\/strong><br \/><strong><a href=\"http:\/\/ddd.uab.cat\/pub\/llibres\/2011\/100365\/doctea_a2011n4p5.pdf\" target=\"_blank\" rel=\"noopener\">Text complet<\/a><\/strong><\/em><\/p>\n<p>[\/et_pb_blurb][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_blurb title=&#8221;RODOLF SIRERA, <br \/><em>Tot travessant el desert. L&#8217;autor com a adaptador<\/em>&#8221; image=&#8221;https:\/\/masters.filescat.uab.cat\/muet\/wp-content\/uploads\/sites\/2\/2022\/06\/dt03_travessant-desert_sirera.png&#8221; image_icon_width=&#8221;80%&#8221; icon_alignment=&#8221;left&#8221; admin_label=&#8221;03: sirera&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; header_text_align=&#8221;left&#8221; header_font_size=&#8221;15px&#8221; body_text_align=&#8221;left&#8221; body_font_size=&#8221;14px&#8221; body_line_height=&#8221;1.4em&#8221; image_icon_custom_padding=&#8221;||0px||false|false&#8221; custom_padding=&#8221;5px||||false|false&#8221; hover_transition_duration=&#8221;0ms&#8221; custom_css_blurb_image=&#8221;margin-bottom: 0px;&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>Lleida: Punctum &amp; MOIET, 2011<br \/>(Documenta Teatral, 3)<\/p>\n<p><em><strong><a href=\"https:\/\/masters.filescat.uab.cat\/muet\/wp-content\/uploads\/sites\/2\/2022\/06\/dt03_travessant-desert_sirera.png\" target=\"_blank\" rel=\"noopener\">Portada<br \/><\/a><a href=\"https:\/\/www.editorialpunctum.com\/coeditors\/master-universitari-estudis-teatrals\/tot-travessant-el-desert-lautor-com-a-adaptador-quatre-casos\/\" target=\"_blank\" rel=\"noopener\">M\u00e9s informaci\u00f3<\/a><\/strong><br \/><strong><a href=\"https:\/\/ddd.uab.cat\/pub\/llibres\/2011\/100366\/doctea_a2011n3p5.pdf\" target=\"_blank\" rel=\"noopener\">Text complet<\/a><\/strong><\/em><\/p>\n<p>[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_4,1_4,1_4,1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_blurb title=&#8221;JAUME MELENDRES, <br \/><em>Sobre els ismes, els istmes i el tren el\u00e8cric d&#8217;\u00c8mpoli<\/em>&#8221; image=&#8221;https:\/\/masters.filescat.uab.cat\/muet\/wp-content\/uploads\/sites\/2\/2022\/06\/dt02_sobre-ismes-istmes_melendres.png&#8221; image_icon_width=&#8221;80%&#8221; icon_alignment=&#8221;left&#8221; admin_label=&#8221;02: melendres&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; header_text_align=&#8221;left&#8221; header_font_size=&#8221;15px&#8221; body_text_align=&#8221;left&#8221; body_font_size=&#8221;14px&#8221; body_line_height=&#8221;1.4em&#8221; image_icon_custom_padding=&#8221;||0px||false|false&#8221; custom_padding=&#8221;5px||||false|false&#8221; hover_transition_duration=&#8221;0ms&#8221; custom_css_blurb_image=&#8221;margin-bottom: 0px;&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>Lleida: Punctum &amp; MOIET, 2009<br \/>(Documenta Teatral, 2)<\/p>\n<p><em><strong><a href=\"https:\/\/masters.filescat.uab.cat\/muet\/wp-content\/uploads\/sites\/2\/2022\/06\/dt02_sobre-ismes-istmes_melendres.png\" target=\"_blank\" rel=\"noopener\">Portada<br \/><\/a><a href=\"https:\/\/www.editorialpunctum.com\/coeditors\/master-universitari-estudis-teatrals\/sobre-els-ismes-els-istmes-i-el-tren-electric-empoli\/\" target=\"_blank\" rel=\"noopener\">M\u00e9s informaci\u00f3<\/a><\/strong><br \/><strong><a href=\"https:\/\/ddd.uab.cat\/pub\/llibres\/2011\/100365\/doctea_a2010n2p5.pdf\" target=\"_blank\" rel=\"noopener\">Text complet<\/a><\/strong><\/em><\/p>\n<p>[\/et_pb_blurb][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_blurb title=&#8221;JAUME MASCAR\u00d3, <br \/><em>Paradoxes i met\u00e0fores: reflexions sobre teoria i arts esc\u00e8niques<\/em>&#8221; image=&#8221;https:\/\/masters.filescat.uab.cat\/muet\/wp-content\/uploads\/sites\/2\/2022\/06\/dt01_paradoxes-metafores_mascaro.png&#8221; image_icon_width=&#8221;80%&#8221; icon_alignment=&#8221;left&#8221; admin_label=&#8221;01: mascar\u00f3&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; header_text_align=&#8221;left&#8221; header_font_size=&#8221;15px&#8221; body_text_align=&#8221;left&#8221; body_font_size=&#8221;14px&#8221; body_line_height=&#8221;1.4em&#8221; image_icon_custom_padding=&#8221;||0px||false|false&#8221; custom_padding=&#8221;5px||||false|false&#8221; hover_transition_duration=&#8221;0ms&#8221; custom_css_blurb_image=&#8221;margin-bottom: 0px;&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>Lleida: Punctum &amp; MOIET, 2009<br \/>(Documenta Teatral, 1)<\/p>\n<p><em><strong><a href=\"https:\/\/masters.filescat.uab.cat\/muet\/wp-content\/uploads\/sites\/2\/2022\/06\/dt01_paradoxes-metafores_mascaro.png\" target=\"_blank\" rel=\"noopener\">Portada<br \/><\/a><a href=\"https:\/\/www.editorialpunctum.com\/coeditors\/master-universitari-estudis-teatrals\/paradoxes-i-metafores-reflexions-sobre-teoria-i-arts-esceniques\/\" target=\"_blank\" rel=\"noopener\">M\u00e9s informaci\u00f3<\/a><\/strong><br \/><strong><a href=\"https:\/\/ddd.uab.cat\/pub\/llibres\/2011\/100366\/doctea_a2009n1p5.pdf\" target=\"_blank\" rel=\"noopener\">Text complet<\/a><\/strong><\/em><\/p>\n<p>[\/et_pb_blurb][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Lleida: Punctum &amp; MOIET, 2021(Documenta Teatral, 10) PortadaM\u00e9s informaci\u00f3Una mostraLleida: Punctum &amp; MOIET, 2020(Documenta Teatral, 09) PortadaM\u00e9s informaci\u00f3Una mostraLleida: Punctum &amp; MOIET, 2018(Documenta Teatral, 08) PortadaM\u00e9s informaci\u00f3Una mostraLleida: Punctum &amp; MOIET, 2017(Documenta Teatral, 07) PortadaM\u00e9s informaci\u00f3Text completLleida: Punctum &amp; MOIET, 2015(Documenta Teatral, 06) PortadaM\u00e9s informaci\u00f3Text completLleida: Punctum &amp; MOIET, 2013(Documenta Teatral, 05) PortadaM\u00e9s informaci\u00f3Text completLleida: [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"<h3>Curs 2011-2012<\/h3>\r\n<h5 class=\"box_gray\"><a href=\"https:\/\/masters.filescat.uab.cat\/muet\/wp-content\/uploads\/sites\/2\/2013\/03\/dt4.png\"><img class=\"size-medium wp-image-371 alignleft\" title=\"dt4\" src=\"https:\/\/masters.filescat.uab.cat\/muet\/wp-content\/uploads\/sites\/2\/2013\/03\/dt4-189x300.png\" alt=\"\" width=\"95\" height=\"150\" \/><\/a>Sharon Feldman,\u00a0<em>Sobre les influ\u00e8ncies, la tradici\u00f3 i altres ansietats: alguns dilemes de l'escena catalana contempor\u00e0nia.<\/em>\r\nLleida: Punctum & MOIET, 2011 (Documenta Teatral, 4)<\/h5>\r\n<p class=\"box_gray\"><em><strong><a href=\"https:\/\/masters.filescat.uab.cat\/muet\/wp-content\/uploads\/sites\/2\/2013\/03\/dt4.png\" target=\"_blank\" rel=\"noopener\">Visualitza la portada\r\n<\/a><a href=\"http:\/\/www.editorialpunctum.com\/coeditors\/master-oficial-interuniversitari-estudis-teatrals\/sobre-les-influencies-la-tradicio-i-altres-ansietats-alguns-dilemes-de-lescena-catalana-contemporania\/\" target=\"_blank\" rel=\"noopener\">D\u00f3na-hi un cop d'ull<\/a><\/strong>\r\n<strong><a href=\"http:\/\/ddd.uab.cat\/pub\/llibres\/2011\/100365\/doctea_a2011n4p5.pdf\" target=\"_blank\" rel=\"noopener\">Accedeix a tot el document digitalitzat<\/a><\/strong>\r\n<\/em><\/p>\r\n\r\n<h3><\/h3>\r\n<h3>Curs 2010-2011<\/h3>\r\n<h5 class=\"box_gray\"><img class=\"size-medium wp-image-371 alignleft\" title=\"dt4\" src=\"https:\/\/masters.filescat.uab.cat\/muet\/wp-content\/uploads\/sites\/2\/2013\/03\/dt3.png\" alt=\"\" width=\"95\" height=\"150\" \/>Rodolf Sirera,\u00a0<em>Tot travessant el desert. L'autor com a adaptador. Quatre casos<\/em>.\r\nLleida: Punctum & MOIET, 2011 (Documenta Teatral, 3)<\/h5>\r\n<p class=\"box_gray\"><em><strong><a href=\"https:\/\/masters.filescat.uab.cat\/muet\/wp-content\/uploads\/sites\/2\/2013\/03\/dt3.png\" target=\"_blank\" rel=\"noopener\">Visualitza la portada\r\n<\/a><a href=\"http:\/\/www.editorialpunctum.com\/coeditors\/master-oficial-interuniversitari-estudis-teatrals\/tot-travessant-el-desert-lautor-com-a-adaptador-quatre-casos\/\" target=\"_blank\" rel=\"noopener\">D\u00f3na-hi un cop d'ull<\/a><\/strong>\r\n<strong><a href=\"http:\/\/ddd.uab.cat\/pub\/llibres\/2011\/100366\/doctea_a2011n3p5.pdf\" target=\"_blank\" rel=\"noopener\">Accedeix a tot el document digitalitzat<\/a><\/strong>\r\n<\/em><\/p>\r\n\r\n<h3><\/h3>\r\n<h3>Curs 2009-2010<\/h3>\r\n<h5 class=\"box_gray\"><a href=\"https:\/\/masters.filescat.uab.cat\/muet\/wp-content\/uploads\/sites\/2\/2013\/03\/dt2.png\"><img class=\"size-medium wp-image-371 alignleft\" title=\"dt4\" src=\"https:\/\/masters.filescat.uab.cat\/muet\/wp-content\/uploads\/sites\/2\/2013\/03\/dt2.png\" alt=\"\" width=\"95\" height=\"150\" \/><\/a>Jaume Melendres,\u00a0<em>Sobre els ismes, els itsmes i el tren el\u00e8ctric d'\u00c8mpoli<\/em>.\r\nLleida: Punctum & MOIET, 2009 (Documenta Teatral, 2)<\/h5>\r\n<p class=\"box_gray\"><em><strong><a href=\"https:\/\/masters.filescat.uab.cat\/muet\/wp-content\/uploads\/sites\/2\/2013\/03\/dt2.png\" target=\"_blank\" rel=\"noopener\">Visualitza la portada\r\n<\/a><a href=\"http:\/\/www.editorialpunctum.com\/coeditors\/master-oficial-interuniversitari-estudis-teatrals\/sobre-els-ismes-els-istmes-i-el-tren-electric-empoli\/\" target=\"_blank\" rel=\"noopener\">D\u00f3na-hi un cop d'ull<\/a><\/strong>\r\n<strong><a href=\"http:\/\/ddd.uab.cat\/pub\/llibres\/2011\/100365\/doctea_a2010n2p5.pdf\" target=\"_blank\" rel=\"noopener\">Accedeix a tot el document digitalitzat<\/a><\/strong>\r\n<\/em><\/p>\r\n\r\n<h3><\/h3>\r\n<h3>Curs 2008-2009<\/h3>\r\n<h5 class=\"box_gray\"><a href=\"https:\/\/masters.filescat.uab.cat\/muet\/wp-content\/uploads\/sites\/2\/2013\/03\/dt1.png\"><img class=\"size-medium wp-image-371 alignleft\" title=\"dt4\" src=\"https:\/\/masters.filescat.uab.cat\/muet\/wp-content\/uploads\/sites\/2\/2013\/03\/dt1.png\" alt=\"\" width=\"95\" height=\"150\" \/><\/a>Jaume Mascar\u00f3 i Pons,\u00a0<em>Paradoxes i met\u00e0fores: reflexions sobre teoria i arts esc\u00e8niques<\/em>.\r\nLleida: Punctum & MOIET, 2009 (Documenta Teatral, 1)<\/h5>\r\n<p class=\"box_gray\"><em><strong><a href=\"https:\/\/masters.filescat.uab.cat\/muet\/wp-content\/uploads\/sites\/2\/2013\/03\/dt1.png\" target=\"_blank\" rel=\"noopener\">Visualitza la portada\r\n<\/a><a href=\"http:\/\/www.editorialpunctum.com\/coeditors\/master-oficial-interuniversitari-estudis-teatrals\/paradoxes-i-metafores-reflexions-sobre-teoria-i-arts-esceniques\/\" target=\"_blank\" rel=\"noopener\">D\u00f3na-hi un cop d'ull<\/a><\/strong>\r\n<strong><a href=\"http:\/\/ddd.uab.cat\/pub\/llibres\/2011\/100366\/doctea_a2009n1p5.pdf\" target=\"_blank\" rel=\"noopener\">Accedeix a tot el document digitalitzat<\/a><\/strong>\r\n<\/em><\/p>\r\n\u00a0","_et_gb_content_width":"","footnotes":""},"class_list":["post-624","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/masters.filescat.uab.cat\/muet\/wp-json\/wp\/v2\/pages\/624","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/masters.filescat.uab.cat\/muet\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/masters.filescat.uab.cat\/muet\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/masters.filescat.uab.cat\/muet\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/masters.filescat.uab.cat\/muet\/wp-json\/wp\/v2\/comments?post=624"}],"version-history":[{"count":14,"href":"https:\/\/masters.filescat.uab.cat\/muet\/wp-json\/wp\/v2\/pages\/624\/revisions"}],"predecessor-version":[{"id":2280,"href":"https:\/\/masters.filescat.uab.cat\/muet\/wp-json\/wp\/v2\/pages\/624\/revisions\/2280"}],"wp:attachment":[{"href":"https:\/\/masters.filescat.uab.cat\/muet\/wp-json\/wp\/v2\/media?parent=624"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}